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Katrin How on earth did they do it?
27. März 2024
Ah, that's good to know! I might have a look around just out of curiosity. I've since learned that w...
Heather Athebyne How on earth did they do it?
25. März 2024
...though not entirely easy. I've been able to get my hands on a few strands over the years for Geor...
Katrin Hieroglyphs.
23. Februar 2024
Yes, that would sort of fit that aspect - but you can also go from bits of woods to sticks if you ar...
Bruce Hieroglyphs.
23. Februar 2024
I think the closest English equivalent would be 'Down the rabbit hole'. It has one entrance (No, not...
Harma Spring is Coming.
20. Februar 2024
I'm definitely jealous! Mine disapeared except for one pathetic little flower. But the first daffodi...
MäRZ
27
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More spinning.

I'm fitting a bit of spinning in every day now - and there's noticeable progress. Or, more precisely: The first three bobbins have been filled, and been reeled off, and now I have the first three skeins of yarn, destined to be the weft yarn for our fabric reconstruction. 

They might not look like much, but it's almost 1.5 km of yarn, with a rather high twist (as you can see from the skeins crunching up). A bit more to go for the weft, and then I will go on to spin the warp yarn, from a different kind of wool and with even higher twist. The warp in the original is actually really, really hard-spun, and it will be interesting to reproduce this. I just hope it will behave on the loom and not be too hard and awkward to weave with!

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MäRZ
20
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Membrane Thread Paper.

Not paper as in paper used to make membrane threads, but a paper about membrane threads - Caroline Solazzo, Cristina Scibè and a couple more researchers have published a paper about their work on membrane gilt threads. It can be found in "Nature", and to my great delight, it's open access.

You can read "Palaeoprotomics and microanalysis reveal techniques of production of animal-based metal threads in medieval textiles." here.

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MäRZ
19
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And so it starts.

In this case, "it" is the spinning - with the first bobbin all done and completely filled: 

The second bobbin is not full yet, but as soon as it is, I will wind skeins from both of them, measure the amount done, weigh them, and set the twist. And then the rest will be spun.

I'm starting with the weft in this case, and I'm trying to make it a little bit thicker than in the test run; same will happen with the warp. The weft in the originals is rather unevenly thick and thin, so I'm sort of trying to not pay too much attention to thickness while staying in the appropriate range.

It's funny how trying to match a non-perfect original thread is about as hard (though maybe in a different way) than trying to match a really well-done, almost perfect original thread!

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MäRZ
13
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Knitting Stitch Structures.

In case you're a knitter and enjoy looking at, and thinking about, different stitch structures and what a special move does to the surrounding stitches, you might want to check out Naomi Parkhurst's Stitch Structure series.  She's looking at increases and a cast-on technique as well as some other things like elongated stitches - with lovely drawings that make it very clear what is happening. I do enjoy blog posts such as that, and it's always nice to get this slightly different look at knitting!

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MäRZ
12
0

I'm back.

I'm back, I've taken a bit of time off yesterday to make up for the weekend, and now it's playing catch-up with all the tasks left to do this week. 

The weekend was lovely, and fun, and a little exhausting (for everyone, probably, not just for me). Friday morning, as I was ready to go to the train station, I got a message from the app that the train I was planning to take would be 98 minutes late... which, knowing how things go, means it would arrive even later by the time it was supposed to arrive, and I would not be able to catch the second ICE, and would travel at least double the amount of time scheduled. 

Now... if it would have been a 2-hour journey, I would have considered doing it. But it would have been almost 6 hours as scheduled, so... no. Which meant I did take the car after all, and drove there, and I did that rather early to avoid getting caught in Friday evening rush hour traffic. (Plan worked.)

I spent a very nice afternoon and evening with the organiser of the workshop and one of the other participants, and then on Saturday I set out with them to make a lot of brain cells work hard. In theory, tablet weaving is very, very easy - you have to be able to tell light from dark and count up to two. In practice, putting all the things together and remembering all the new rules can make heads spin...  

We started with warping (as I usually do in my workshops) and went on to explore threading and turning directions, stripes and monochrome surface weaving before moving on to diagonals and freestyle diagonal patterning. 

As usual, I took way too little photos during the whole thing... I am always too distracted to remember to do so. This time, it was a little better thanks to "take photos" cues in my workshop script - which means that I can at least show you a photo of part of the room:

That was taken during a break, with everyone getting some nice food and filling up on coffee.

And in case you're curious: Installing the edge tablets did go quite well, but next time I will do the installation a little later, in hopes that that will make things a little bit easier. 

After the end of the workshop on Sunday afternoon, I packed up everything, was gifted with a bit of food for the road and set off for home, tired but happy. 

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MäRZ
05
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Hah. Prepped.

Today was Warping Day. Well, Warping Afternoon - fortunately, the relatively small warps of limited length that we use in the weaving workshop are quite quick to make. So now I have this, waiting to be packed up: 

On the left there's a few "oh no bad things happened" warps, prepared in case something bad happens and we need a quick new one. On the right... that's a stack of edge tablets, waiting to be installed at some point. 

Edge tablets - usually all threads in one colour, and two or more of those monochrome tablets per edge - are an absolute fixture in historical bands. They make for neat edges, and if you weave patterns with my system, they are one way to tell which tablets turn in which direction. 

However... adding edge tablets also makes warping a little more time-consuming, and it means one more thing to keep track of. That's why I did my workshops without edge tablets in the past. (Remember what I wrote about things evolving? That's one of them.) I've thought about a few different options on how to include them without making things too weird at the beginning, and I think I have found the solution and the hopefully impeccable timing for adding edge tablets: The point where they are actually helpful, and where the basic understanding stuff that does not require extra "empty brainless twisting" has already happened.

Next Monday I will know more. Now there's a tad more preparation to do, but the main stuff has all happened. 

Oh, and due to the Bahn going on strike on Thursday and Friday... I will have to figure out whether I can go by train (probably not) or will have to take the car after all. Sigh.

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MäRZ
04
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Workshop Preparations.

I'm already looking forward to the next weekend - a group has booked me for a tablet weaving workshop, so we will spend the weekend twisting tablets and brains, and making straight and diagonal lines, and understanding where to look and why things work just as they work. 

So I'm now preparing for the workshop, which includes prepping the tablets:

The workshop starts with warping tablets, and then we weave our way into understanding how patterns happen, and how to make them look just like you want them to look. It's the system I've developed that can be taken further into weaving 3/1 broken twill without a written pattern (though we won't go that far during this weekend). 

All the tablets we'll need are now ready for warping, with all the punched holes empty and waiting to be threaded. I have a list of some more things to prep, and a few printouts to make, and some warping for the edge tablets.

Like all workshops, my tablet weaving workshop evolves over time - sometimes there's a chance discovery of something that works very well, or there's a "snag spot" where participants seem to struggle regularly, so these things get updated in my master script after a workshop, and are done a little differently next time. I really like to see how these things change and evolve and grow over time. And then there's the additional changes made to adapt the workshop to the group's wishes, so while the workshops are somehow the same, they also feel quite different every time... and part of the fun and joy in giving these is discovering their own specific vibe. (Plus, of course, the joy of seeing those little aha!-moments when something suddenly clicks.)

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