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Miriam Griffiths A Little Help...
27. November 2024
Perhaps more "was once kinda good and then someone added AI"? I'm getting very fed up of the amount ...
Natalie A Mysterious Hole...
26. November 2024
Oh my! I cannot tell what the hole's size is, but I expect someone is hungry and may be going for ea...
Katrin Very Old Spindle Whorls?
25. November 2024
Yes, the weight is another thing - though there are some very, very lightweight spindles that were a...
Katrin A Little Help...
25. November 2024
Ah well. I guess that is another case of "sounds too good to be true" then...
Miriam Griffiths Very Old Spindle Whorls?
22. November 2024
Agree with you that it comes under the category of "quite hypothetical". If the finds were from a cu...
FEB.
06
0

Is it Friday yet?

I perfectly know it's not Friday yet. But oh, how I wish it to be - even though there is lots to do still this week. (Or maybe exactly because of that?)

It's Thursday, though, and a stack of books is waiting for me in the library, a not insignificant number of them about Indigo dyeing. There was that resist-dye experiment last Textile Forum (you might remember), and I am currently writing up the artice about it. Which at some places requires a bit more research into why things happened the way they happened... hence I was ordering in literature.

Oh, and I'm writing up the article now because it is planned for publication in our second Textile Forum Proceedings volume. We are getting a second volume! I am still all feeling fluffy inside about that. Back in, oh, autumn 2008, when Sabine, Roeland and I sat in the pub on the last evening of the EXAR conference and Sabine and I said "we totally need to have a crafts-focused yearly conference for textile people" and "we sort of have the suspicion that if we don't go ahead and organise it, that will never happen" and Roeland said "I can set you up a contact with Eindhoven", neither of us would have thought to one day have a book with proceedings, let alone more than one. So yes, we are very, very happy about that.

So. Not Friday yet. More work. But happy work.
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DEZ.
13
0

The Joy of Access.

I have been skimming, reading and researching a heap of articles recently (processing them with the help of Qiqqa, as explained some time back).

Article databases and online journal repositories can be a wonderful way to lose a few hours, by a similar thing to the encyclopaedia effect - you sort of hop from one topic to a related one, and from one author to more of that author to another author... well. I think you all know how that ends. If you don't have access, though, it will most probably end in frustration - so many things, such high prices, so little chance to get at them.

One easy way to get article access is to get a library card from a friendly University library in your vicinity. But what if you do not live near one? For the Germans (or those living in Germany), there is good news: Everybody who has a permanent address in Germany can ask for participation in the Nationallizenzen scheme.

You register for this (stating, of course, your German address); then you get sent a letter with your login data. The Nationallizenzen access has a few restrictions, such as moving walls keeping you from the most recent publications and similar, but it's a very nice and convenient way to get at a huge number of articles and e-books that you otherwise would pay several arms and legs for.

So... hooray for access! And now I shall read some more articles. Because I can. (And because I need some more nice references and suggested further reading for, oh, still too many topics of that book project.)
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DEZ.
10
1

Writing, and Academia, and Yog's Law.

I got an email comment regarding my post about publishing and money flow from last week - and it's probably worth it to go into a little more detail here.

There's three kinds of getting published - the kind where you get paid for (my favourite!), the kind where you don't see money, and the kind that you pay for yourself.

I've already written about what I think of paying for getting published. Now, for the record - I know that especially in academia, there are circumstances (like you have to get your thesis published, and it's such a fringe topic nobody will ever buy the book, probably) where you will end up paying for getting the book out. Personally, I think that is not good, and even unfair, and I would recommend that if you do need to get the book published with an ISBN number and stuff, try to find a publisher that will offer you decent conditions, or look into PoD and BoD services. (If you feel that you really want to cough up a lot of money just so some big-name academia publishing house's name and logo graces the spine of your book which will technically be on the market but cost a shitload of money so only libraries, if they, will buy it, feel free to do so. Myself, I have a strong opinion on things like that, which you can probably guess from what I have written so far.)

This leaves the two other options for consideration: publishing for free, and getting money for it. I will start with my favourite option. You write a book, you invest a lot of time and money, and nerves, and probably shed some tears or at least metaphorical tears, and wiggle so much on your seat you have pants-wear-and-tear to pay for, and all the black pixels in your computer get all worn out, and so on. You hand the book on to a publishing house, and they wear out some more pixels and chase around electrons and do stuff with ink and paper and advertisement designers and stuff. And then they do maths, and calculations, and then they send out a book, a real honest physical book that smells like newly printed paper, to bookshops and sellers and other people. The publisher deserves money for their work, and the booksellers need to buy their food and pay their rent, and the printing costs money and the warehousing too, so there's not so much money left once that's all paid for and done - but the author has also invested time and effort, a not inconsiderable amount of that, and that should also be rewarded with money. Not just with the good feeling of having a book out (because that won't pay the rent for the author either). I am not expecting the book revenue to add up to a honest freelancing hourly wage, and about every author out there will probably tell you that you have to write really well and really much and really fast to make a half-decent living off writing, and that is for novels and not for science books too - but I would very much like to have something coming in onto my bank account telling me that what I did is appreciated, and rewarded, and I will be able to go have some moderately priced sushi once a year, at the very least.

Now, if you are writing a PhD thesis or something similar, maybe in an esoteric out-there field that you love and few other people even know that it exists... you will have a hard time finding a publishing house that offers you money for it. When I was starting out to write my PhD, I knew from the very beginning that I wanted to publish it in a "normal", not a purely academic, publishing house. So from the very start, I tailored my writing towards that goal - and I was lucky on many counts with that: having a topic that does lend itself to being published regularly (since there is enough interest in that topic in the public), having supervisors who appreciated the style and voice in the writing and did not insist on "academese", finding a wonderfully supportive editor and a good, solid publishing house, and last but not least getting additional funding from VG Wort which made publishing the book at that price possible.

However, I have also written and published for free, plenty of times. All the articles that I have written? There was not a penny passed towards me. That is the third case, and it's the common method in academia - you publish, but you don't get paid.

Here's a snippet of the mail I received:

It does overlap your other articles on a fair price for craft though. By doing it for free am I lowering the costs for everyone? But by not doing it for free it wouldn't get done! The 'payment' I'm getting is things that money can't buy: I enjoy it, can see the longterm benefits from it (my work/ideas/research findings are published, I've gained experience, a reputation, it leaves the door of academia open and improves my ability to get in there later).
Ah, yes. I have firm principles in some areas of my life, and I have wishes that I know will not become true in others - and publishing (academic) articles and getting paid for them is definitely in the "I wish" category.
As in many things in Real Life (TM), there are shades of grey and not just black and white to things; and for some of the folks writing and publishing without getting pay for the article, it's not really an investment of time with nothing in return. If I am doing research and am getting paid for it, I have already been paid for my work - publishing for free is not working for free, in that case. If I am publishing without getting paid in money, I am (as mentioned above) getting non-monetary things back too: an article more to my name, my ideas get spread, maybe I can inspire some nice fruitful dialogue, some research gets furthered. For a freelancer, getting your name known better may be the difference between getting hired for things or not - so I could see it as an investment in a (very special) kind of advertisment for myself.
In my personal case, it might also enable me to get some copies of the book for re-selling, so I still have the chance of making a bit of money after all. What really bugs me a bit, though, is having published an article for free and then seeing said article as the online version with a really hefty price tag on it. Yes, there are costs to the publishing house - but sometimes these prices just seem unrealistically high to me.

But if you don't submit to this? We are, as academics, living in a culture where as a rule you publish your research and articles without getting money from the publishing house. You may get offprints or reduced prices for the printed article, but there is no money flow toward the author; in some cases, there is even Unlawful Flow according to Yog. Publishing for no money is not a too big deal for those who get paid for their research work, as much or all of that writing time is already paid for; it is, however, a serious investment of time with no direct revenue for an independent researcher. So the question is, in some way: can you afford to publish? On the other hand you cannot afford not to publish - to keep in the loop, to keep your doors open should you wish to stay or return to classic academia, to build up your reputation. And to get your research findings out - because unpublished research is a kind of a waste, too.
Best for publication is thus something that will get widely known, not just an obscure little place in the Internet, or a small regional journal that will be very hard to get in a few years' time, if you actually manage to learn that something of interest was published in there.
And the big names of journals? The ones that get read widely, and have a high impact? Those are often the real pricey ones, where you have a hefty price tag on each single article - even the nonprinted e-version.

So if I get the opportunity to publish an article about the Spinning Experiment in a big, widely-read journal - I take a deep breath, and the opportunity.

Have you published your research for free? How do you feel about that situation, and the question of money flow? Please let me (and your fellow readers) know in the comments - I'd love to hear your opinion!
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NOV.
14
0

The Spinning Experiment. Again. And some non sequiturs.

After two iterations of peer-review and lots and lots of prodding, re-writing, tweaking and polishing, I have received the good news: My article about the spinning experiment has been accepted by AAS. I have thus just transferred the copyright, in a version of an author contract that is quite... grabby. Another instance of academic publishing being different from "normal" publishing - but I'm happy to have gotten it off my desk, and out into the world. I will let you know once it's out!

For those of you who read German, there's a nice "protocol of a natural desaster" from the Middle Ages on tribur.de. Actually, it's not nice, it is quite tragic.

Also? There's a blog called The Archaeology of Tomb Raider.

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OKT.
30
0

Good kinds of busyness.

I am busy writing and taking pictures and thinking and getting stuff reorganised in my brain. There are also things lying around on tables and floors, waiting to get sorted and put away, but they will survive (as I will) if I only get around to it tomorrow.

Just in case you are interested in what makes me so busy - three writing projects have come to a state of progress that makes me quite, quite happy (and means I have to apply my time and brains to them for a bit, too). There are another three, or four, or five depending on how you count in the wings, waiting - they shall have to bide a bit more time.

Some of the picture-taking planned for today is not for papers or other publications, though - it's for the online shop. I have a few new things to add, and if all goes reasonably well, I will be able to reveal them to you tomorrow. They are nice and exciting things, I think - and I hope you will think so, too!
0
SEP.
20
2

There should be a law.

One of the topics in the Forum this year was embroidery - a lovely topic. It was also a wonderful and really fascinating piece in the focus of the paper. The only unfortunate bit? The piece (an embroidered late antique tunic from the RGZM Mainz) had been conserved and placed onto a stand in the main exhibition so that the back of the embroidery is not accessible - and there are no photos of the back.

Now, if you are an embroiderer, you will know that the frontside shows the picture and the backside tells the story. Which stitches were used? In what direction were they worked? How were starts and stops (or larger gaps between similarly coloured batches) handled? Was the worker sloppy or neat? Which parts were worked first? All this... discernable only from the backside.

So I will repeat the There-should-be-a-Law thing that I posted already ages ago - I mentioned it at the Forum, and there was general agreement, by the way.

There should be a law that makes anyone writing about an embroidered piece to post at least three good quality photographs, showing a) the complete piece with measurements given in the text; b) a close-up (or several) of a detail, showing all the stitch techniques and materials used on the piece, together with a ruler or other size indicator on the photo; and c) a close-up of the back side of exactly these said details, also with a size indicator on the photograph.
Because it's the backside that tells the story, and the detailed view that makes it possible to listen to that story.

Now we only need to make it a real law. Any helpful suggestions on that?
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JUNI
12
2

Furniture. And I'm blegging.

Writing a book can take you into unexpected directions - such as researching English medieval furniture. After hunting for it for quite a while, I can tell you that there seems to be even less material about it than about German medieval furniture (and that's not much).

So I spent the day yesterday partly in the library, hunting down books and checking them and checking out some more of them, resulting in a very heavy bag of books to carry home. So heavy, in fact, that I had the sudden urge of sweetening the load by buying some sock wool... sock wool does not count, right?

Today's agenda, thus, has more books on it - books that I need to at least skim to see if there is something useful in there. If anyone here has a hint on where to find a good, current book or article about English medieval furniture in the timespan of about 1000 to 1350, it would also be much appreciated!
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