I'm all excited - the first batch of my embroidery silk in new colours arrived today, dyed lovingly and carefully by my friend and colleague Margit from
Alte Künste. And she has managed to dye the most gorgeous yellow I've ever seen.
It's like liquid sunshine. It's like textile gold. It's warm and soft and it's yellow, yellow, yellow.
There's a lovely purple as well - and I have not yet wound off the red and the pink from their skeins into something better storeable and handle-able. Winding silk that fine, I have learned, can be a real challenge if you don't know what you are doing. The skeins, even if handled like raw eggs, tend to tangle a bit during the dyeing process. As this thread is flat silk that has been totally de-gummed, it snatches and tangles easily. My first tries at winding off silk from the skein, years ago, were the total catastrophe. I tried to do that with one of the common four-armed skein holders or swifts. Well. I very quickly found out that there's a reason why Japanese silk swifts have more than four arms... so I did upgrade to a swift with more arms, and that does make a huge difference. It's still a fiddly task. (Weirdly, it's also one that I find very hard to stop. Just past this one snag. Just until the next hitch. Just this one more. Just past this knotty tangle. Oh, is it half past three already? Oops. Well, I can do a few minutes more...)
Once all the new skeins are wound, I can portion the silk off on the 10 m rolls for the shop, and take photos, and then you'll be able to buy it.
For today, though, I'll sit next to it for a bit longer and go "my preciousssssss"...