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Katrin
Experiment!
14. Mai 2024
Thank you for letting me know - I finally managed to fix it. Now there's lots of empty space above t...
Harma
Blog Break .
29. April 2024
Isn't the selvedge something to worry about in a later stage? It seems to me a lot more important th...
Beatrix
Experiment!
23. April 2024
The video doesn´t work (at least for me). If I click on "activate" or the play-button it just disapp...
Katrin
Spinning Speed Ponderings, Part I.
15. April 2024
As far as I know, some fabrics do get washed before they are sold, and some might not be. But I can'...
Kareina
Spinning Speed Ponderings, Part I.
15. April 2024
I have seen you say few times that "no textile ever is finished before it's been wet and dried again...
Stuff that you may find relevant. Or at least amusing.
I owe you a chili recipe, and there's actually a sizeable stack of other stuff that I could blog about, but I have the strong urge to blog other stuff today. You will know why in a moment:
Maybe you've heard of Juan de Alcega's "Tailor's Pattern Book" - it's basically a book with instructions how to place your patterns on fabric so that there's as little waste as possible. There seem to be three similar books, also from the 16th century, from Austria - and they are being published as a Kickstarter campaign. (Kickstarter is a really cool thing.)
Also, the Blogging Archaeology Carnival roundup for February is over at Doug's place. It's not that big, this time; a lot of participants seem to have had the same problem with the open question as I had. There's also the last question for the carnival - I'm a bit sad it's already over, I was enjoying this!
Also: Meet a finished sleeve with cloth buttons.
The only thing left to do on this sleeve is pull out the marker basting thread (on the back, for marking where the edge should fall) and the basting thread for making the hem. And I will pull these once the second sleeve is hemmed, too.
Cloth buttons are a lot of work - each time I make these, I think to myself "I so know why buttons were considered a chic thing". But they are also so beautiful... and having a finished piece with buttons, such as that sleeve, that is something really, really nice.
(Just in case you wonder: the white sewing thread used to attach the buttons is invisible when they are closed. They sit smack on the fabric with their little bottoms.)
I will now leave you with a riot of colours. Colours, I might mention, that all live on wool. Except one, who lives on silk. And I am allowed to cut into each of them. Muahahaha.
The picture does not do them justice - they are lovely, and brilliant, and totally awesomely beautiful. At the moment, they make a fluffy stack of joy in our living-room and draw my eye every time I go past them. There's one almost-black and one black to the right, on different cloths; these will become legwear. And the darker orange shade you see to the left? That's a piece of cloth 1.5 m wide and 5 m long. Dyed in one piece. Spotless. No better dyer than Sabine, I tell you.
Maybe you've heard of Juan de Alcega's "Tailor's Pattern Book" - it's basically a book with instructions how to place your patterns on fabric so that there's as little waste as possible. There seem to be three similar books, also from the 16th century, from Austria - and they are being published as a Kickstarter campaign. (Kickstarter is a really cool thing.)
Also, the Blogging Archaeology Carnival roundup for February is over at Doug's place. It's not that big, this time; a lot of participants seem to have had the same problem with the open question as I had. There's also the last question for the carnival - I'm a bit sad it's already over, I was enjoying this!
Also: Meet a finished sleeve with cloth buttons.
The only thing left to do on this sleeve is pull out the marker basting thread (on the back, for marking where the edge should fall) and the basting thread for making the hem. And I will pull these once the second sleeve is hemmed, too.
Cloth buttons are a lot of work - each time I make these, I think to myself "I so know why buttons were considered a chic thing". But they are also so beautiful... and having a finished piece with buttons, such as that sleeve, that is something really, really nice.
(Just in case you wonder: the white sewing thread used to attach the buttons is invisible when they are closed. They sit smack on the fabric with their little bottoms.)
I will now leave you with a riot of colours. Colours, I might mention, that all live on wool. Except one, who lives on silk. And I am allowed to cut into each of them. Muahahaha.
The picture does not do them justice - they are lovely, and brilliant, and totally awesomely beautiful. At the moment, they make a fluffy stack of joy in our living-room and draw my eye every time I go past them. There's one almost-black and one black to the right, on different cloths; these will become legwear. And the darker orange shade you see to the left? That's a piece of cloth 1.5 m wide and 5 m long. Dyed in one piece. Spotless. No better dyer than Sabine, I tell you.
