Today is a day for taking care of odds and ends - all those small annoying things that need doing. Like checking for updates for my programmes, or fixing small oopsies on websites, or updating some things in the shop, or answering mails and phone calls. It's amazing how many of these small tasks keep coming up - some garden gnome or something like that to take care of stuff would be really helpful!

While I am working on diminishing the annoying-small-tasks list, maybe you would like to check out the programme for the next conference of the European Association of Archaeologists (EAA), which will take place in Helsinki August 29-September 1? You can find their homepage here, and the call for papers will be open until end of March.

And here's another heads-up regarding a symposium - I will be there as well:

On the occasion of a three-year research project on 'Dyeing techniques of the prehistoric Hallstatt-Textiles' funded by the Austrian Science FWF [L431-G02] at the Natural History Museum of ViennaTextiles' funded by the Austrian Science FWF [L431-G02] at the Natural History Museum of Vienna both an exhibition and a symposium will be organized. In co-operation with the University of Applied Arts Vienna, the University of Natural Resources and Life Sciences Vienna, the Austrian Society for Textile-Art-Research and the Cultural Heritage Agency of the Netherlands at both events, a colourful spectrum of research and art is presented.

Exhibition:
colours of hallstatt |textiles connecting science and art
hallstattfarben | Textile Verbindungen zwischen Forschung und Kunst
Venue: Natural History Museum Wien
Date: 17th January to 29th of June 2012

Symposium:
3000 Years of Colour – from Tradition to Art and Innovation
2nd International Symposium on Hallstatt-Textiles
Venue: Natural History Museum Wien
Date: 21st to 23rd March 2012
Registration and further information: http://3000yearsofcolour.nhm-wien.ac.at

Hallstatt in Upper Austria is famous for its prehistoric salt mining. Due to the conservation by the salt, organic finds survived more than 3000 years. Among them are the oldest dyed textiles of Europe, from the Bronze Age (15th - 13th cent. BCA) and the Early Iron Age (Hallstatt-Culture, 800 - 400 BCA).

During both the exhibition and the symposium scientists and artists will provide you with a thorough insight into the unique world of prehistoric textiles and their colours. It will be shown how prehistoric dyers succeeded to use the colours of nature for dyeing textiles and what these colours mean to us today. The last three years scientists investigated the prehistoric dyeing and textiles techniques, analysed the dyes and fibres of the prehistoric finds, collected dye plants, cultivated woad, performed dyeing experiments and experimental textile archaeology and produced replicas of Iron Age ribbons. By the archaeological textiles, by ancient dyeing and textile techniques, by colours and ornaments artists were inspired to create objects of contemporary art.

In the exhibition the various topics will be presented together with prehistoric textile finds from Hallstatt, the reproductions of the ribbons and the art objects.

The three-day Symposium will include lectures of these topics, an art performance and tours of the exhibition and of the textile collection of the Papyrus Museum. A social program will enable you to exchange your experience with an international audience in a relaxed atmosphere and will complete your own "Hallstatt Experience".

On the occasion of a three-year research project on 'Dyeing techniques of the prehistoric Hallstatt-Textiles' funded by the Austrian Science FWF [L431-G02] at the Natural History Museum of Vienna both an exhibition and a symposium will be organized. In co-operation with the University of Applied Arts Vienna, the University of Natural Resources and Life Sciences Vienna, the Austrian Society for Textile-Art-Research and the Cultural Heritage Agency of the Netherlands at both events, a colourful spectrum of research and art is presented.

Exhibition:

colours of hallstatt |textiles connecting science and art

hallstattfarben | Textile Verbindungen zwischen Forschung und Kunst

Venue: Natural History Museum Wien

Date: 17th January to 29th of June 2012

Symposium:

3000 Years of Colour – from Tradition to Art and Innovation

2nd International Symposium on Hallstatt-Textiles

Venue: Natural History Museum Wien

Date: 21st to 23rd March 2012

Registration and further information: http://3000yearsofcolour.nhm-wien.ac.at

Hallstatt in Upper Austria is famous for its prehistoric salt mining. Due to the conservation by the salt, organic finds survived more than 3000 years. Among them are the oldest dyed textiles of Europe, from the Bronze Age (15th - 13th cent. BCA) and the Early Iron Age (Hallstatt-Culture, 800 - 400 BCA).

During both the exhibition and the symposium scientists and artists will provide you with a thorough insight into the unique world of prehistoric textiles and their colours. It will be shown how prehistoric dyers succeeded to use the colours of nature for dyeing textiles and what these colours mean to us today. The last three years scientists investigated the prehistoric dyeing and textiles techniques, analysed the dyes and fibres of the prehistoric finds, collected dye plants, cultivated woad, performed dyeing experiments and experimental textile archaeology and produced replicas of Iron Age ribbons. By the archaeological textiles, by ancient dyeing and textile techniques, by colours and ornaments artists were inspired to create objects of contemporary art.

In the exhibition the various topics will be presented together with prehistoric textile finds from Hallstatt, the reproductions of the ribbons and the art objects.

The three-day Symposium will include lectures of these topics, an art performance and tours of the exhibition and of the textile collection of the Papyrus Museum. A social program will enable you to exchange your experience with an international audience in a relaxed atmosphere and will complete your own "Hallstatt Experience".

Snooping around on the message boards of livinghistory.co.uk, I found info about a conference on European Painted Cloths C14th-C21st (London, 15-16 Jun 2012).


The deadlines for the call for papers are already gone by, but the conference itself might be of interest. At the very least, it's a topic not encountered so very often, and I'm happy to see it gets looked at a bit more!

European Painted Cloths C14th-C21st
Pageantry, Ceremony, Theatre and the Domestic Interior

This two day conference will explore the use of painted cloths in religious ceremony, pageantry, domestic interiors and scenic art. It will focus on their change of context and significance from the
fourteenth to the twenty-first century exploring their different function, materials, and method of creation.

The potential for large sizes, portability, and versatility for religious objects including banners, hangings, altarpieces, and palls was the impetus for the emergence of fabrics as a painting support in Western art in the Middle Ages. The demand for elaborate altarpieces, church furnishings, and liturgical objects increased in the thirteenth and fourteenth centuries due to changes to liturgical practice and an upsurge of religious fervour. The functionality of the works explains the survival of relatively few examples. Were paintings on fabric envisaged as ephemeral objects? There is evidence to the contrary. One of the most common forms of interior decoration for centuries, painted cloths have received less attention from art historians and historians than they deserve in part due to their poor survival. Often regarded as cheap substitutes for those who could not afford tapestries, their function has been oversimplified and their importance in  providing imagery as well as literary subjects has been underrated.

Scenic backcloths were once commissioned for court functions, part of an elaborate display of royal power and magnificence, such as the Field of the Cloth of Gold. The same methods and materials continued to be used for theatrical cloths. The nineteenth and twentieth century saw a
resurgence in interest in the art form, as established artists, among them Burne-Jones, Rossetti, Picasso and later Piper, Hockney and Caulfield, took up commissions for the theatre and ballet.

The conference, to be held at The Courtauld Institute of Art, will be run in collaboration with the Victoria & Albert Museum. Presentations by four keynote speakers will reflect the aim of the conference to bring together and foster interdisciplinary research between art and interiors historians, paintings and textile conservators.
Organised by Christina Young (The Courtauld Institute of Art) and
Nicola Costaras (Victoria & Albert Museum)

The Costume Society of America is holding their Western Region 2012 Symposium “Interpreting History through Costume”on March 17-18, 2012 at The William S. Hart Ranch & Museum in Santa Clarita, CA.

Their call for papers is still open until October 15. Here's the short of it:

The Western Region Symposium offers an opportunity for established Members and potential New Members to present Oral Research Papers or Research-in Progress, reports on unpublished research, new creations and/or practical experience.
Possible Topics Include: Designing costume for period theatrical or dance performances, films or television shows; Comparisons between recreated garments, or garments designed for performance, with actual historic garments; The importance of costume in the understanding of social, political & world history; How costumed docents enhance the understanding of museum collections & the visitor experience; Use of costume in non-costume exhibitions: an opportunity to provide context; Pursuit of the past: the impulse to collect historic dress; Using dress to create an historic character or personage for reenactment.

They welcome about everybody - so if that sounds interesting to you, check out the full call for papers on this website.

Here's the promised textile centred backlog. I'll start you off with a conference date again:

The conference "Dyes in History and Archaeology DHA30", a joint meeting with the Royal Society of Chemistry Historical Group, will take place 12-15 October 2011 in the University of Derby Enterprise Centre, Derby (UK). For more information, please visit the conference's website. While this is one of the many conferences I will not be able to attend, a poster about the Hallstatt project that I took part in will be shown there.

Since it came up again on MEDTC, for those of you lusting after a view of the textiles in the V&A in London: They will be available for study again probably in summer 2013, since the collection is moving to a new location. It's not a progress report, but at least some info: Clothworker's centre.

And now the juiciest bit for today. Beatrix Nutz who researches the textiles from Schloß Lengberg (medieval bras, anyone?) has been busy again, and her article about the very early needle lace from the finds is online. You can find the article here; it includes pics, schematic drawings of lace structures, and you can all understand it - just scroll down for the English text. Enjoy!