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Beatrix Experiment!
23. April 2024
The video doesn´t work (at least for me). If I click on "activate" or the play-button it just disapp...
Katrin Spinning Speed Ponderings, Part I.
15. April 2024
As far as I know, some fabrics do get washed before they are sold, and some might not be. But I can'...
Kareina Spinning Speed Ponderings, Part I.
15. April 2024
I have seen you say few times that "no textile ever is finished before it's been wet and dried again...
Katrin How on earth did they do it?
27. März 2024
Ah, that's good to know! I might have a look around just out of curiosity. I've since learned that w...
Heather Athebyne How on earth did they do it?
25. März 2024
...though not entirely easy. I've been able to get my hands on a few strands over the years for Geor...
FEB.
20
4

To search on or to stop, that is the question.

When researching, it happens again and again: You run into a dead end, or something that feels like a dead end. That can be due to so many reasons - there's little or no literature about it, you have found about everything there is, or the literature is all really dated, or the topic has only been looked at from angles that don't help for your own project.

And regardless of when you start and how long you planned to research, there will be a point where you are going to stop, or have to stop. Because you run out of time, or out of energy, or both. Because at one point, everything needs to be finished, or it will start to drag you down. Obviously, that cutoff point is coming faster when you are starting with little leeway in regard to time or energy... and I hate it. I don't like to stop, so it can be really hard for me to draw that line and say "no more". Yet that is essential - it's the art of hitting that sweet spot between getting everything you can while still not wasting too much time. You get a similar phenomenon in a lot of design work, where the last 5% of the work tend to eat up 95% of the time. And I've had it time and again that a jackpot turned up when I had already inwardly scolded myself for still going on though it was clear that nothing more would turn up. That's not making it easier to stop.

It's also not made easier by the fact that these searches usually turn up more interesting stuff from the sidelines. Like this article about how tannin and iron dyes eat up fibres. Or this one about identifying dyestuff (unfortunately behind a paywall).

Or the complete original Plictho by Rosetti. Now if only my old Italian were better...

(I'm looking for the bit in the Plictho where lead is mentioned in regard to dyeing textiles. Anyone have that thing handy?)
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DEZ.
10
1

Writing, and Academia, and Yog's Law.

I got an email comment regarding my post about publishing and money flow from last week - and it's probably worth it to go into a little more detail here.

There's three kinds of getting published - the kind where you get paid for (my favourite!), the kind where you don't see money, and the kind that you pay for yourself.

I've already written about what I think of paying for getting published. Now, for the record - I know that especially in academia, there are circumstances (like you have to get your thesis published, and it's such a fringe topic nobody will ever buy the book, probably) where you will end up paying for getting the book out. Personally, I think that is not good, and even unfair, and I would recommend that if you do need to get the book published with an ISBN number and stuff, try to find a publisher that will offer you decent conditions, or look into PoD and BoD services. (If you feel that you really want to cough up a lot of money just so some big-name academia publishing house's name and logo graces the spine of your book which will technically be on the market but cost a shitload of money so only libraries, if they, will buy it, feel free to do so. Myself, I have a strong opinion on things like that, which you can probably guess from what I have written so far.)

This leaves the two other options for consideration: publishing for free, and getting money for it. I will start with my favourite option. You write a book, you invest a lot of time and money, and nerves, and probably shed some tears or at least metaphorical tears, and wiggle so much on your seat you have pants-wear-and-tear to pay for, and all the black pixels in your computer get all worn out, and so on. You hand the book on to a publishing house, and they wear out some more pixels and chase around electrons and do stuff with ink and paper and advertisement designers and stuff. And then they do maths, and calculations, and then they send out a book, a real honest physical book that smells like newly printed paper, to bookshops and sellers and other people. The publisher deserves money for their work, and the booksellers need to buy their food and pay their rent, and the printing costs money and the warehousing too, so there's not so much money left once that's all paid for and done - but the author has also invested time and effort, a not inconsiderable amount of that, and that should also be rewarded with money. Not just with the good feeling of having a book out (because that won't pay the rent for the author either). I am not expecting the book revenue to add up to a honest freelancing hourly wage, and about every author out there will probably tell you that you have to write really well and really much and really fast to make a half-decent living off writing, and that is for novels and not for science books too - but I would very much like to have something coming in onto my bank account telling me that what I did is appreciated, and rewarded, and I will be able to go have some moderately priced sushi once a year, at the very least.

Now, if you are writing a PhD thesis or something similar, maybe in an esoteric out-there field that you love and few other people even know that it exists... you will have a hard time finding a publishing house that offers you money for it. When I was starting out to write my PhD, I knew from the very beginning that I wanted to publish it in a "normal", not a purely academic, publishing house. So from the very start, I tailored my writing towards that goal - and I was lucky on many counts with that: having a topic that does lend itself to being published regularly (since there is enough interest in that topic in the public), having supervisors who appreciated the style and voice in the writing and did not insist on "academese", finding a wonderfully supportive editor and a good, solid publishing house, and last but not least getting additional funding from VG Wort which made publishing the book at that price possible.

However, I have also written and published for free, plenty of times. All the articles that I have written? There was not a penny passed towards me. That is the third case, and it's the common method in academia - you publish, but you don't get paid.

Here's a snippet of the mail I received:

It does overlap your other articles on a fair price for craft though. By doing it for free am I lowering the costs for everyone? But by not doing it for free it wouldn't get done! The 'payment' I'm getting is things that money can't buy: I enjoy it, can see the longterm benefits from it (my work/ideas/research findings are published, I've gained experience, a reputation, it leaves the door of academia open and improves my ability to get in there later).
Ah, yes. I have firm principles in some areas of my life, and I have wishes that I know will not become true in others - and publishing (academic) articles and getting paid for them is definitely in the "I wish" category.
As in many things in Real Life (TM), there are shades of grey and not just black and white to things; and for some of the folks writing and publishing without getting pay for the article, it's not really an investment of time with nothing in return. If I am doing research and am getting paid for it, I have already been paid for my work - publishing for free is not working for free, in that case. If I am publishing without getting paid in money, I am (as mentioned above) getting non-monetary things back too: an article more to my name, my ideas get spread, maybe I can inspire some nice fruitful dialogue, some research gets furthered. For a freelancer, getting your name known better may be the difference between getting hired for things or not - so I could see it as an investment in a (very special) kind of advertisment for myself.
In my personal case, it might also enable me to get some copies of the book for re-selling, so I still have the chance of making a bit of money after all. What really bugs me a bit, though, is having published an article for free and then seeing said article as the online version with a really hefty price tag on it. Yes, there are costs to the publishing house - but sometimes these prices just seem unrealistically high to me.

But if you don't submit to this? We are, as academics, living in a culture where as a rule you publish your research and articles without getting money from the publishing house. You may get offprints or reduced prices for the printed article, but there is no money flow toward the author; in some cases, there is even Unlawful Flow according to Yog. Publishing for no money is not a too big deal for those who get paid for their research work, as much or all of that writing time is already paid for; it is, however, a serious investment of time with no direct revenue for an independent researcher. So the question is, in some way: can you afford to publish? On the other hand you cannot afford not to publish - to keep in the loop, to keep your doors open should you wish to stay or return to classic academia, to build up your reputation. And to get your research findings out - because unpublished research is a kind of a waste, too.
Best for publication is thus something that will get widely known, not just an obscure little place in the Internet, or a small regional journal that will be very hard to get in a few years' time, if you actually manage to learn that something of interest was published in there.
And the big names of journals? The ones that get read widely, and have a high impact? Those are often the real pricey ones, where you have a hefty price tag on each single article - even the nonprinted e-version.

So if I get the opportunity to publish an article about the Spinning Experiment in a big, widely-read journal - I take a deep breath, and the opportunity.

Have you published your research for free? How do you feel about that situation, and the question of money flow? Please let me (and your fellow readers) know in the comments - I'd love to hear your opinion!
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JUNI
20
0

Modert tech to learn about ancient dyes.

There's a new technique on the block that can be used to detect and identify dyes, for example in leather: a variation of Raman spectroscopy coupled with laser blasts.

Here's the link to the Chemical and Engineering News article about it, and if you feel so inclined, you can also read the original paper in analytical chemistry. Lasers! Pricey spectrometers! Madder dye! What is not to like? (Well, it's not a loss-free method, so there's always that - but colour detection can rarely, if ever, be done without sacrificing a little bit of the material.)
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JUNI
11
1

Nothing to read? Let me help you.

I have found a nice alternative to keeping a gazillion tabs open - it's a "read later" add-on to the browser. So blog-interesting stuff (or "perhaps blogworthy") gets added into that list. Which is nice, and keeps the browser a bit more tidy, but has the downside of also growing into a long list... and that means it's time to throw links at you again.

First of all, archaeoweb.net is a collection page for all kinds of blogs concerned with archaeology/cultural heritage/museums and technology related blog, so it's a good way to get an overview about stuff that is happening in the archie blogosphere. They are collecting new blogs to add into their site as well, so if you have an archaeology-centred blog, it's double worth taking a look.

Speaking of overview: JURN is where you can search for free online e-publications. It says about itself: "A curated academic search-engine, indexing 4,507 free ejournals in the arts & humanities." It's basically running a Google custom search for you, and all the stuff it finds is accessible at no cost.

Via ancientworldonline there's mention of a new, open-access e-journal called "Living Past". While I have not found much about the journal on the page linked, there is a dissertations archive available in that same corner of the 'net, published in original language (most often Italian) and with English summaries.

If you are still reading, chances are that you will be interested in this as well: Working in what now seems to be called the "digital humanities",  sometimes calls for a programme, gadget, or other possibility to collect, process and analyse data. Bamboo DiRT is a collection of digital research tools for the arts, humanities and social sciences, and hosts a large collection of all kinds of... things for use in research.

That's it for today - have fun wasting your time finding exciting new stuff via these links!
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JUNI
07
0

Scatterbrain.

Not so very long ago (as in just a few hours), I did have a different idea about what to blog on than semi-random work-related stuff, but it has miraculously evaporated from my brain. Which is, at the moment, a tiny little bit addled by having heard construction-type noise for all of this week, with the extra serving (as in: in close proximity to me) yesterday afternoon and today. (We're getting new windows set in, which is lovely and very nice, but obviously connected to some work being done.)

In work-related news, I will be hunting for evidence of medieval furniture in England. Also: preparing for two short on-event workshops that will take place when I am in Herzberg, and I'm very much looking forward to this. Also on my list of things (exciting and nice things) to do: get an overview about our paper and workshop/practical session offers for the Textile Forum and update the website. I have been drooling over some pictures already this morning, and I can tell you - I'm really, really psyched about this.

Finally, and also Forum-related: You can actually pre-order our first volume, "Ancient Textiles - Modern Science", aka the European Textile Forum Proceedings. It's a collection volume of the last years, and not every paper given is in there, but it's a very nice variety and a good spread over times, materials and techniques. We hope that it will be successful enough to lead the way to a second volume in the future.
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MAI
07
0

Moar links.

From my large-ish stack of tabs open to remind me of interesting things to blog about, here are some more links:

A study shows that the global cooling trend reversed in the 19th century. Industrial revolution, anyone? The NY Times/dotearth also covers this topic. With colourful charts.

There is a conference "Archäologie und Paläogenetik" in Erlangen, starting the day after tomorrow (May 9 - May 13), for those of you German speaking and in the region (or willing to travel). There's also an open evening lecture on May 10. More info? Go to the DGUF website.

I have been telling people about the job offers board at H-Soz-u-Kult for ages - and now there seems to be another board posting job offers for academics, including archaeologists and historians.
There's also a job offer for a textile conservator open in South Central Pennsylvania, just north of Gettysburg, about 1.5 - 2 hours from DC, 1.5 hours from Baltimore, and 2 hours from Center City Philadelphia. The job seems to be work as a conservator for an antiques dealer specialising in flags - if you are interested, email me and I will pass on the mail.

And finally, if all this has made you hungry: A 12th century manuscript including recipes has been found.  Isn't that nice?
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MäRZ
12
0

Boat and papers (not paper boats, though).

The maiden voyage of the Bronze Age boat has taken place, and you can watch a video of very happy people paddling right here:

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Apparently, they named her Morgawr. There's also a summary video including a few scenes from the launch and maiden voyage, called "We Made a Boat", on their playlist.


And now we will hop to the far future (to be precise, to post-medievalism) because Palgrave is offering one issue of Postmedieval, the journal, for free. They sound... interesting. Go have a look.


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