After a long silence on the topic of workshops, I finally have a date again to offer you. On 25-27 of February 2011, there is a medieval weekend on the Schönburg in Oberwesel am Rhein where I am part of the workshop programme.

I will give a workshop "Making an Undertunic" which will introduce the participants to seams and stitch types that were in use during the Middle Ages as well as the basic principles in planning, cutting and sewing an undertunic/undershirt for the medieval wardrobe. But that's not all: After this one-day stint, you will get a very special tablet weaving course on the following day, short but juicy - an introduction to the too-little-known technique of brocaded tablet weaving. This is really, really easy to learn so even total beginners can get started in this workshop.

And if you would like to bring someone else (maybe even somebody not so interested in textile stuff - I hear that people like that do exist), there's also fighting or woodworking in the offer. You can learn more and book via the organising group's homepage, Mittelalter-Treff - and I'd be delighted to meet you at the Schönburg in February!

Soon (read: at the end of this week) this blog will go on a several-week summer-induced break - we are having a bit of a holiday, and then I'm off to do some yummy and exciting textile-y things. And I'm looking forward to both parts of this summer blog break very much!

As to the work part after the relaxing part, first there's the workshop and "Spectaculum" in Friesach, and afterwards I'm travelling to Vienna for an exhilarating project: A reproduction of some of the Hallstatt woven bands. For that, the team doing the reconstruction is actually starting from scratch, with the raw wool, and everything will be prepared and spun using proper historical implements. That means several kilometres spun on handspindles all together, and in really fine quality: The thread used in one of the bands is plied yarn with a thickness of about 0,2-0,3 mm. I am very excited about this and looking forward to doing a lot of ultra-thin spinning and then some plying - it's wonderful to be part of that work!

The whole reconstruction work is itself part of a large project called DressID, by the way - with the aim (beside others) to show the key position of dress for identity. DressID is also another try to get researchers from all over Europe together and give them the opportunity to exchange knowledge and network a bit.

Things here are slowly getting back to normal - the washing machine is working hard to clean all the linen stuff that I wore during the last week (which is lots), and I'm stowing away tools and supplies that I had in use. There's some stuff to mend and clean too, as always.

Freienfels had a few wonderful, amazing highlights for me. I was involved in a children's project where 3rd- and 4th-graders from schools in the district had one full day to spend at Freienfels, with special programme. Part of that programme was a three-hour workshop in a medieval craft - felting, basketmaking, potterymaking, blacksmith work, and so on. My crafty disciplines for the children was spinning and fingerloop braiding.

We all had a new group on each of the three days, and as always I found it amazing how different groups of workshop participants are. You can't see into a person straight away, but from the way that somebody handles difficulties and tools, and from the way somebody works at a craft, you can get a tiny glimpse at the character of that person. Apart from that fascination, I was quite disappointed in modern children's fine motor skills. Especially the very first group I had at Freienfels was a nasty surprise, since on my last workshop with that age group I must have had very talented children or children with well-honed fine-motor skills. However, I managed to teach every single child during those three workshop days at least one variation of fingerloop-braided bands - and that is definitively a good feeling. It especially makes a highlight for me since I had a few children in there who really had to work very, very hard to get into the braiding motions - but they were very strong and very determined, and they all made it. It makes me proud that they did not give up but persisted - since that is a quality that everybody will need during all of life, and I feel privileged in having helped them develop their persistence.

All these children now have a braid or several to prove that they did not give up but mastered the challenge. My hope for them is that the next time they are close to giving up, they will glance down on their braided bracelet and remember... and then boldly go on to persist, to master the next challenge, and turn their life into their own, wonderful adventure.

With the new year now firmly in the saddle, dates for the summer season are slowly lining up on my calendar. And it already becomes clear that 2010 is The Year of Unfortunate Date Collisions, with lots of things falling together - like almost all official holidays with Saturdays or Sundays, and a few of my private fixed date events with work events (and should you wonder: work will win).

There are already a few work dates I am very, very much looking forward to. I am planning to go to Cave Gladium again in 2010 - that will be August 9 to August 14. Since I later heard from some folks that they would have loved to attend a workshop, but didn't hear about it in time, this year I am planning to have the 'shops during the week (to leave the weekend for shopping and all the other weekend stuff) and get it much more public much earlier.
There will be more workshopping and a talk/lecture in Austria, too - I am going to the Spectaculum in Friesach, end of July/start of August. You can read more about the programme here on the official pages. The workshop will teach participants the basics of medieval sewing - differences between fabrics, materials, stitches and seams. Because seam types, stitches and fabric type were purposefully matched for the desired results, this is something like "medieval sewing 101", giving the groundworks for sewing and tailoring medieval style. I love this workshop topic because the lowly hand-seam is underestimated so much today - and lining all the possible stitches, seams and hems up in two sampler cloths - one wool, one linen - shows so much of the possibilities.

And speaking of dates: The book is being layouted at the publishing house, and I am waiting for new work (second proofing) any day. Once the packet is here, I promise I will do my very best to be totally quick in reading, proofing and sending back/responding. Very much fitting the situation and the question that usually pops up at some point - "why does that all take so freakingly long?", INTERN (who does write herself all-caps) has put up a nice blog post summing it up here.

As this blog's regular readers will know (and even the semi-regular readers, as much as I've blogged about it), this week is Textilforum week at Eindhoven, and I will be busy with running the spinning experiment and chatting real-life with lots of other historical textile enthusiasts.

For you, this means you can come to Eindhoven and have a chat with me as well - or wait for regular blogging to resume probably Tuesday week after next.

And if Eindhoven is too far away from you, but Erlangen is not, and you are looking for some hands-on experience: I will be giving an introductory course at the Begegnungszentrum Bruck on eight Monday evenings, starting on the 21st of September.

Today is an exception to my normal posting rules, since you are finding mostly German text here - it's the info for the workshops at Cave Gladium. Our idea was to offer a learning space and opportunity at the Cave, since that is a time and place where lots of living history people are already together, so travel costs and extra organisation time for the participants would be really, really low.

Since the info about the workshops seems to have gotten a little lost in the forum pages at the Cave website, I'm posting the description here again. So if you are interested in attending a show fighting workshop, or would like to learn how to dye with plants, or how to forge a knife, or how to weave 3/1 twill on tablets without counting and sticking to a pre-made pattern, or learn a few new loop-braiding patterns, you can Diese E-Mail-Adresse ist vor Spambots geschützt! Zur Anzeige muss JavaScript eingeschaltet sein.. At least the forging and textile workshops should also be possible in English, if there should be any language problems.


Schaukampf - aber richtig
Unter diesem Motto freuen wir uns, in diesem Jahr einen Workshop anbieten zu können, der zeigt, dass es nicht einer blutigen Nase und ein paar ausgeschlagener Zähne bedarf, um auf höchstem Niveau einen Zweikampf zum Besten zu geben. Dabei werden alle Aspekte der Sicherheit und Erhaltung der eigenen Gesundheit beachtet, ohne damit der Begeisterung der Mitwirkenden und der Zuschauer Abbruch zu tun.
An drei Tagen werden die Grundlagen des unbewaffneten Kampfes, Fallen und Rollen bis hin zum Schwertkampf vermittelt. Das Ergebnis wird am Ende des Workshops in einer kleinen Choreographie dem Publikum präsentiert.
Voraussetzungen: Es ist durchaus hilfreich, wenn der Teilnehmer bzw. die Teilnehmerin über eine durchschnittliche körperliche Fitness verfügt und schon einmal ein Schwert in der Hand gehalten hat.
Mitzubringen sind: sportliche Kleidung, festes Schuhwerk (Trainingswaffen werden gestellt)
Kursgebühr: 140,- € pro Person
Zeiten: Freitag: 16 bis 20 Uhr
Samstag: 9 bis 12 Uhr
Sonntag: 9 bis 12 Uhr

Brettchenweben mal anders
Keine Lust mehr, einem festgeschriebenen Schnurbindungsmuster zu folgen? Neugierig, was sich mit Brettchenweberei und einem ganz einfachen Aufzug alles anfangen lässt? Im Workshop webt jede/jeder ein Band zum spielerischen Ausprobieren in zwei kontrastierenden Farben. Der Kettaufzug lässt verschiedene Diagonalenmuster und Köperbindung zu, die mit etwas Hintergrundwissen zu den Grundlagen der Köperbindung frei kombiniert werden können.
Voraussetzungen: Der Kurs ist kein Anfängerkurs, sondern richtet sich an Brettchenweberinnen und -weber, die bereits etwas Erfahrung gesammelt haben.
Mitzubringen: Zum Aufziehen der Kette werden helles und dunkles Garn benötigt; empfehlenswert sind nicht zu dünne Webgarne, etwa in Stärke von Sockenwolle. Das helle und das dunkle Garn sollten jeweils auf zwei Knäuel gleicher Größe aufgeteilt werden, weil dies den Aufzug stark vereinfacht. Pro Knäuel werden mindestens 25 m Lauflänge benötigt (reicht für eine zwei Meter lange Kette). Mitzubringen sind außerdem, falls vorhanden, 12 Vierlochbrettchen.
Kursgebühr: 70,- € pro Person (ganztägig)
Material bei Bedarf bitte vorbestellen
Zeiten: Samstag 15.08.2009

Schmieden bei David Schütze
Der Einsteigerkurs ist für Menschen geeignet, die von der historischen Technik der Metallverarbeitung fasziniert sind, sich aber bisher nicht aktiv damit beschäftigt haben. Vorkenntnisse sind nicht erforderlich. Werkzeug- und Materialkunde werden ebenso vermittelt, wie die grundlegenden Techniken des Schmiedens und ein kurzer Einblick in die Geschichte des Handwerks. Die Teilnehmer stellen ein einfaches Messer selbst her.
Voraussetzungen: Einsteigerkurs (keine Vorkenntnisse notwendig)
Fortgeschrittenenkurs (mit Vorkenntnissen)
Mitzubringen sind: --
Kursgebühr: 140,- € pro Person (Einsteiger)
210,- € pro Person (Einsteiger)
incl. Material, Werkzeug und Versicherung
Zeiten: Samstag 15.08.2009

Färben bei Sabine Ringenberg
Pflanzenfarbe ist ein faszinierendes Thema. Wie wird sie auf der Faser haltbar gemacht? Welche Unterschiede gibt es beim Färben von Seide, Wolle oder Leinen? Auf diese Fragen gibt der Einsteigerkurs von Sabine Ringenberg Antwort. Mit selbst gesammelten Pflanzen wird die eigene Wolle oder Seide gefärbt. Dabei werden die gängigsten Beizverfahren ebenso behandelt, wie die Nachbehandlung und weitere Verarbeitung des Färbeguts. Vorkenntnisse sind nicht erforderlich.
Voraussetzungen: Einsteigerkurs
Mitzubringen sind: Eigene Wolle kann gefärbt werden
Kursgebühr: 85,- € pro Person (eintägig)
zzgl. Färbegut
Zeiten: Samstag 15.08.2009, Beginn 09.00 Uhr
Sonntag 16.08.2009, Beginn 09.00 Uhr

Fingerschlaufenflechten
Flechten mit Schlaufen statt mit einzelnen Fäden hat in den letzten Jahren an Bekanntheit gewonnen - ist aber immer noch nicht sehr verbreitet. In dem Kurs werden verschiedene Flechtvarianten, zum alleine oder gemeinsam Flechten, erlernt und geübt.
Voraussetzungen: Einsteigerkurs
Mitzubringen sind: ---
Kursgebühr: 45,- € pro Person (halbtägig)
incl. Material
Zeiten: Sonntag 16.08.2009, Beginn 09.00 Uhr

I've been busy with some scheming, and it looks as if I'll be able to teach netting soon in the future. We have found some material to work netting needles that does not involve hours and hours of hammering a thick rod down into a thin rod, and thus needles can be made that won't cost a fortune. The first two of the new generation are still unpolished but about finished otherwise...

Beautiful tools, made after a proper source (an archaeological find from London), to spread again knowledge about an old, beautiful textile technique - what's not to love?