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Miriam Griffiths A Little Help...
27. November 2024
Perhaps more "was once kinda good and then someone added AI"? I'm getting very fed up of the amount ...
Natalie A Mysterious Hole...
26. November 2024
Oh my! I cannot tell what the hole's size is, but I expect someone is hungry and may be going for ea...
Katrin Very Old Spindle Whorls?
25. November 2024
Yes, the weight is another thing - though there are some very, very lightweight spindles that were a...
Katrin A Little Help...
25. November 2024
Ah well. I guess that is another case of "sounds too good to be true" then...
Miriam Griffiths Very Old Spindle Whorls?
22. November 2024
Agree with you that it comes under the category of "quite hypothetical". If the finds were from a cu...
MäRZ
08
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Prep Step.

It's one thing done, the next thing in prep - I've just finished sorting and putting away all the tools and extra bits and bobs that went with me to the tablet weaving workshop. Apart from those bits and bobs of the collection that are going to travel to Lübeck with me!

The loops for the braiding workshop are all cut, knotted, and bundled together for the different braids; there's material to anchor them, there's extra yarn and my trusty measuring and loop-making tool, there's scissors and loops and all that remains is to print out the things that have to be printed out, and to pick and pack some of the sample bands so people can get an idea of what is possible with loop braiding. Like in all my workshops, I try to teach "understanding the structure" as opposed to "follow this set of instructions blindly to get result A, and this set of instructions to get result B". So we start with five loops, and every loop in a different colour - this makes later analysis easier, as you can follow each of the colours through the band. Or bands, depending if you are braiding one or two at the same time.

The biggest part of the equipment are the clamps I use to anchor the braids - but fortunately, the trusty suitcase has no problem to fit them, and it rolls so well that it's also no trouble to push or pull it around. Only staircases are not my most favourite thing in the world when I'm travelling with workshop equipment... makes you keenly aware of what people with reduced mobility have to face every day. 

I'm already looking forward to Lübeck on Saturday and Sunday!

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MäRZ
07
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EuroWeb Conference in Lübeck Tomorrow!

The Hansemuseum Lübeck is up to great things - the first one in line: A conference about "Interwoven Societies", starting tomorrow.

For those of you interested in the conference, but unable to get to Lübeck for it, there's fantastic news: It will be streamed live on the EuroWeb YouTube channel! The conference programme is available here, it looks very interesting, and I'm looking forward to tuning in there tomorrow.


And then there's even more! 

The FGHO is celebrating their 30 year anniversary, and for that there's guided tours on Saturday - one of them including me. You can book your spot here on the museum website.

Finally, on Sunday I'll be giving a loopbraiding workshop. There's also still a few spaces left - you can join in!

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MäRZ
06
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Weaving Workshop Done.

I'm back from the weekend weaving workshop - which was (as these things tend to be) an enormous amount of fun, both for me and (according to their comments) the participants.

There was a lot of weaving done - quickly making centimeters on the bands on the first day. My weaving workshops always start with the very basics: Getting the hang of what different threading directions do, weaving stripes, the absolute basic principles on how patterns work. Then we do a little bit of doubleface to warm up, and then the fun starts.

That also means that the second is was devoted to more thinking and more looking at tablets, and more sorting things around, which slows down the weaving process. Let's say that it can be surprisingly hard to weave a simple monochrome surface... but all of my weavers did very, very well, and went away with a band and a learning curve that they can really be very proud of.

And I actually remembered to take a few photos! Though most of them are on a different camera than this very, very blurry one that I snapped with my phone, and have not transferred yet:

I did not promise twill in the workshop description, on purpose, but I usually get signals very quickly if the group, more or less, would like to try it. (They usually do.) And if that's the case, I try to get things arranged so everyone who wants to can get a little bit of the twill experience. 

That was also the case on the weekend, and we did manage to progress into twill weaving for the last part, to my great pleasure and to the great spinning of heads (in German you say "rauchende Köpfe", as in the brain is working so hard that smoke curls up from the head) on the weavers' side. 

I love weaving twill on tablets, and I really love teaching it. Twill is hard, though. You have to keep track of a lot of things simultaneously, and there's a stack of tablets that needs to be handled delicately and correctly, so some of your capacity is already taken up by the fine motor skills demands, and then (if you've done tablet weaving beforehand) there are things you always did differently and you have to do my way now (because of reasons, not because I like to pester people) so that eats even more of your brain or (if you haven't done tablet weaving beforehand) there are so many new movements that it's also eating up brain capacity, and that together means that it is getting hard to count to two.

There is concentrated deep silence during most of the time when I'm running a tablet weaving workshop. I have actually tried it once, where there was no carpet on the floor, and yes, you could hear the pin drop. That concentrated silence is even more obvious if twill is requested by the participants, though then you sometimes hear sighs, quiet mumblings (to keep track of the sequence in which things should be done) or, if something has gone properly wrong, a little cry for help or assistance.

As is also usual, only a part of the group went on to venture a little deeper into twill after the first bit of it. Twill weaving is not for everyone - you have to like this kind of brain-bending mental gymnastics, and some people do, and some people don't, and that is absolutely okay. The system I use is all logical throughout, and there's a stack of rules and little hacks and standard procedures that really help, but the challenge in the workshop is that you have to remember all of them at the same time, and a weekend workshop always means that there is limited time to let each new standard really settle into the brain and the hands.

I'd really like to try and teach tablet weaving for a full week some time, and see what could be done with a bit more practise before progressing to the next steps... but that would probably have to be at some weaving school or special event. Who knows, though - there's been so many interesting things and projects and jobs in the past that I'd never have dreamt of, the opportunity might arise at some place and some time.

For now, I have some notes to review, and some bits of my workshop script to tweak, a few little changes to make for the next workshop, and then I'll be waiting for the next opportunity to make some brain cells work very, very hard... 

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DEZ.
20
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Workshops Next Year!

I'm utterly delighted that there will be workshops next year - one set at the Nähtreffen Rothenfels, which is running for the 5th time now, and the tablet weaving workshop in Tüchersfeld.

Rothenfels will take place in February, from Friday 3 to Sunday 5. I have a number of workshops on the list, including the sewing introduction and sprang braiding - and there's other workshops as well, plus there will be music, and good company, and lots of fun hanging out with nice people. I'm very much looking forward to it already.

If everything works as it should, you can read more about it in the pdf on the right, which also contains information on how to register for the event.

The tablet weaving workshop is in March in the Fränkische Schweiz-Museum Tüchersfeld, on Friday 3 to Sunday 5. We'll cover tablet weaving from the basics to free pattern weaving with diagonals - and in some cases, participants in this course even proceeded on to the basics of 3:1 broken twill weaving, also without a pattern.  

The workshop can be booked via the museum website; the price includes materials and lunch on Saturday and Sunday.

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SEP.
29
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Off To Shenanigans!

It is a truth universally acknowledged, that when things come to happen, they do it in masses.

Ahead of me are three-and-a-half very full weeks, where I'm mostly away from home, doing things - giving workshops, holding presentations, doing museum inventory work, and, to balance out the work, having a few days off with the Most Patient of All Husbands inbetween. (I'm quite sure they will be needed...)

It's wonderful and exhilarating to be off and about and among people once more, though I admit I'm also a little anxious about this. There's still a pandemic happening, even though it is getting easier to ignore it all the time. I have masks, though (really well-fitting for a change, I'm quite amazed) and have just tested negative (something the Spinntreffen organisers were asking for, to self-test before going there), and I hope that I will have a sufficiently effective combination of being sensible and being lucky.

At the moment, I'm in the last bits of prep for the Spinntreffen of the Handspinngilde this weekend, and that means packing the car, printing out lists, and finishing putting together the workshop tools and materials. So once this post is done, I will hop out into the garden and cut some willow and hazel rods to serve as bow looms.

If you're interested in my presentation for the Hansemuseum Lübeck and the FGHO, it will be streamed live on YouTube on October 11, starting at 18:00. There's also still tickets available for those of you who prefer to be right in the room with me in Lübeck.

I will be back on the blog on October 24, when all my away missions are done and I'm back home - and I hope you will have a good time until then!

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SEP.
12
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Events (Online and Not)

There's an online symposium about "Thy Father's Instruction: Reading the Nuremberg Miscellany as Jewish Cultural History by Dr. Naomi Feuchtwanger-Sarig", hosted by the Goldstein Centre, on September 14. It's to celebrate a book launch and starts at 18:00 Israel time, so you might want to check your timezone if you'd like to attend; it's free but you will have to register. Read more about this on the Centre's website, where you can also register. 

Not online, and not free, but well worth it if you're in German Living History and interested in the topics covered: the Nobilitas-Akademie. Nobilitas is a group to preserve old crafts - which means they also organise crafter's markets, or events at museums that involve historical crafts. They also try to spread knowledge, and help people exchange knowledge and network, and one of the possibilities to do that is their Akademie. 

It takes place in a castle-turned-youth-hostel, and this year's academy is on November 11 to 13. There's talks about medieval cooking, fighting, Cisterciensians, technical knowledge of the Middle Ages, and more. Apart from the presentations, there's time to talk and network with the other participants, and the last time I've attended, there was also some medieval gaming. Check out their programme on the Nobilitas website, where you'll also find their registration form.

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AUG.
09
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Weaving Workshop for Complex Weaves

If you're interested in the complex weaves Taqueté and samite, there's a workshop at the Haus der Seidenkultur in Krefeld coming up in September. It's held by a lovely colleague of mine, Barbara Thomas, and she's doing it once in German and once in English.

The project "Ancient Silk Splendour – recreated" led to the development of a weaving class, designed by experts from the German Textile Museum and the House of Silk Culture from Krefeld. The class teaches the theoretical basics of ancient patterned weaves, but also how to practically recreate them.

The dates are 19.–23. September 2022 (for the class in german) and 26.–30. September 2022 (for the class in english). The fee is 635,- € per participant, with a maximum of 8 participants per class.

If this sounds interesting for you, you can find out more about the workshop and how to register at the Haus of Seidenkultur website

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