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Miriam Griffiths A Little Help...
27 November 2024
Perhaps more "was once kinda good and then someone added AI"? I'm getting very fed up of the amount ...
Natalie A Mysterious Hole...
26 November 2024
Oh my! I cannot tell what the hole's size is, but I expect someone is hungry and may be going for ea...
Katrin Very Old Spindle Whorls?
25 November 2024
Yes, the weight is another thing - though there are some very, very lightweight spindles that were a...
Katrin A Little Help...
25 November 2024
Ah well. I guess that is another case of "sounds too good to be true" then...
Miriam Griffiths Very Old Spindle Whorls?
22 November 2024
Agree with you that it comes under the category of "quite hypothetical". If the finds were from a cu...
AUG
30
0

The Travelling Wheel.

The thing about a medieval-style Great Wheel? It's really Great, as in Large. Looking at images, the wheel appears to be really huge, compared to the spinners. And when one thinks about it, that is sort of understandable - after all, the aim is to get a lot of twist quickly, and there are no gears involved. So the size difference between the wheel and the disc on the spindle (often called whorl, but I find that confusing) has to be as large as possible.

When I built my reconstruction, I was thus looking for a size that would compare to the illustrations we have, and of course with a look at its intended use - demonstrations. Which meant it also had to come apart easily, and the single pieces had to fit into the car. 

Which they do. The wheel itself has its own special spot right under the roof, where it's built to fit perfectly:

The board end in the foreground belongs to the bottom (main) board. The rest is one box with the small pieces (like the wedges, drive band, and spindles) and one pack with legs and the holders for spindle and wheel. 

So now I just have to add the rest of the equipment, and we're ready to roll!

(Ingelheim. Sunday. See me there if you can, and say hello!)

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AUG
13
0

Weekend Event coming up: Bronzezeittage Syke

 It's back from summer break and straight into action here - on the weekend, I will be going to Syke to show how a bronze age corded skirt was (probably) woven. I'll be demonstrating all day on Saturday and Sunday, and I'm looking forward to many questions!

I'm not sure where in the museum I will be, or whether I'll be sitting on a table or on the floor, but I will definitely wear no shoes for the weaving - I need my foot to hold the measuring stick and my little toe on one foot to keep hold of one of the loops for starting the next bunch of strings...

The event is running in the Kreismuseum Syke on Saturday from 10 -18 o'clock and on Sunday to 17 o'clock. There's going to be a bunch of demonstrators there, plus the museum itself is a very nice place to visit, so if you're up north and free for the weekend, don't miss it! 

You can find out more about the event on the homepage here: 

https://www.kreismuseum-syke.de/veranstaltungen/bronzezeittage/

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SEP
20
0

Patch this up?

There's a fairly new digital museum around - the Digital Museum of Dress Accessories. As their first exhibition room, they are hosting a gallery about patch boxes (and, consequently, about patches) - a custom that came up in the 17th century.

If that sounds interesting to you, go head over to the DMDA website and have a virtual stroll through their gallery. I certainly found it interesting, even though it's way past the time I'm usually working on. 

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MAY
10
0

"Making, Wearing, Displaying: Textiles and the Body"

I'm back home from a wonderful workshop - and the title "Making, Wearing, Displaying: Textiles and the Body" really fit all the contents of the workshop.

We had a lovely mixture of papers and practical sessions, one of them involving modeling of various reconstructions of old garments. There was Iron Age and Bronze Age things, there were a few galloroman garments, and pieces from Xianjing - of which I got to model one. It was the earliest piece, put together from a lot of fabric that was mostly uncut, and a very interesting experience to wear. The two other garments from the same project were much more tailored and looked elegant from the get-go, while my gown felt more like hanging out on the couch and have chocolate and watch Netflix. (Or read a book, maybe.) While I've worn a good number of historical garments and garment reconstruction over the years, and most of them not just for half an hour or an hour, but for actual working and living in them, it was the first time I had something as loose-fitting and flowy, with no body shaping whatsoever. Very curious feeling for me.

There was also a workshop on Greek dancing (ancient Greek, of course), in the wonderfully warm sun, so it felt quite fitting. And then, of course, lots of papers about a huge number of aspects regarding textile and the body - from dental abrasions probably caused by textile work to a project looking at brain activity when doing textile work. The programme was really long and packed, but the organisers did an absolutely splendid job in how they arranged papers, breaks, and practical sessions to make it still easy to follow along and take in all the information.

We also got treated to a tour of the Ethnographical Museum in Lisboa, who graciously hosted us for the first two days, and to copious amounts of typical food and sweets (coffee breaks!) plus, of course, coffee.

Portuguese coffee is lovely, and I probably had too much of it - but did I mention it was delicious? 

After the conference, I had a bit of time left to explore the city. I spent most of the two days I had walking up and down the streets, looking at things at a flea market, seeing the loom weights (and the museum mascot cat) in the Museo Archqueologico do Carmo, plus the Natural Science Museum and the Botanical Gardens as well as many, many streets in different quarters. There would have been much more to explore, but there's only so much you can do in two days, especially if you also have to take breaks to sample the local delicacies. There had to be an adequate sample size for determining coffee quality, for instance, and since there is not only the signature "pastel de nata", but a plethora of sweet baked goods in Portugal, these had to be sampled too. 

Finally there were visits to a few supermarkets, because I always find it very interesting to see how goods differ from country to country, and on Sunday I spent some time doing what a lot of the locals did: Hang out in one of the parks, sitting on the grass and enjoying the day (in my case, with a bit of knitting). 

And then it was already time to go home... with a few delays along the way, which meant I arrived a bit later than planned, but not castastrophically late. Now it's time to get back to work - with new insights about displaying dress and the body. 

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MAR
13
0

Festivities and a glorious weekend.

It was, let me tell you, an absolutely and utterly glorious weekend that I had in Lübeck. OUr train there was actually on time, and we had the afternoon to spend in the city, looking at the curious little spaces filled with small houses in the former backyards of larger houses. We also had a look at the ships in the museum harbour, at the beautiful cathedral St. Mary, and at a tea exhibition and medieval artworks in St. Annen. 

Then there was delicious cake and coffee, to get us a little warmed up again after being outside for a while. The weather was half not-so-nice and cold, half sunny-but-windy-and-quite-cold, so both Friday and Saturday morning saw us pretty frozen after a while, and on Saturday noon my fingers felt really frozen, so much that a fresh cup of tea was not enough to fully warm them up again.

And then, on Saturday... festivities! First me and Kathrin Hüing from the Hansemuseum did our workshop/guided tours through the Guter Stoff exhibition, then there was a little "danse macabre" show performed by the Hansevolk zu Lübeck, and the evening was spent with celebration of the 30th birthday of the FGHO. That meant meeting and chatting with lovely people, with delicious finger food and drinks. It was the first party of that kind for me in a long, long while, and it was absolutely wonderful.

I also had time in the museum this visit to play around with some of the interactive bits in the special exhibition. My favourite one? Emboss your own "cloth seal". It's not a real cloth seal, of course - but you can, as a souvenir, emboss a silvery carton roundel with one of three different designs. One of them is the sheep "Locke", who also leads children through the special exhibition. It's probably not hard to guess which one is my favourite of the three...

... and the embossed Locke is the perfect thing to personalise my laptop.

Much, much nicer than the manufacturer's seal on the laptop cover! This delights me no end. 

Also delightful: There is a cloth measuring tape, especially made for "Guter Stoff", with medieval fabric design on one side and the measuring tape on the other side. And yes, I am now the proud owner of one of them. You can get them in the museum shop in the main house of the EHM in Lübeck. And the really good news is that you have until October to do so - the exhibition has been extended! 


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MAR
07
0

EuroWeb Conference in Lübeck Tomorrow!

The Hansemuseum Lübeck is up to great things - the first one in line: A conference about "Interwoven Societies", starting tomorrow.

For those of you interested in the conference, but unable to get to Lübeck for it, there's fantastic news: It will be streamed live on the EuroWeb YouTube channel! The conference programme is available here, it looks very interesting, and I'm looking forward to tuning in there tomorrow.


And then there's even more! 

The FGHO is celebrating their 30 year anniversary, and for that there's guided tours on Saturday - one of them including me. You can book your spot here on the museum website.

Finally, on Sunday I'll be giving a loopbraiding workshop. There's also still a few spaces left - you can join in!

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FEB
06
0

Guilds and Crafts

The Germanisches Nationalmuseum has what they call a "digital story" about guilds and crafts in the Early Modern Age on their website. I'd have called it something like a digital exhibition, as there's a good number of topics to explore and quite a few nice images of artefacts, but whatever the name, it's worth a look.

You can find the English version "Guild and Crafts" here, and of course there's also a German version "Zunft und Handwerk".

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