If you want to know what "it" is today, it's both the Call for Papers/Call for Workshops for this year's Textile Forum as well as the tent for the market stall.

Writing the call for takes so long because, well, there are quite a few changes in comparison to last year, and we don't want to give a wrong impression by hastily written information.

And making the tent... well, everybody who has ever planned the construction of a tent/stall and then sewn that tent by hand knows how long that can take. Add to this the additional problems and challenges popping up - like the waterproofing issue - and it's no wonder that progress is slow. But it is there. After taking a nice, hot bath


the tent fabric is now completely dry again, and today it's time to test the construction basics by putting up the "framework". Most of the connections for putting up the wooden part will be temporary and provisional, since the tent structure has no stand-alone, rigid framework, but relies on combining wood and fabric. But I need to get a proper, hands-on evaluation of how large the inner space will feel in the completed tent, and I also need to mark where to put diverse bits and pieces for the construction on the fabric. So up it must go.

As spring is creeping in and battling hard with the remainders of the winter, the weather is getting nicer and nicer and season start is rushing towards us, I still have to finish my new market stall. It is coming along - yesterday was bathing day, and the main part of the tent - almost four metres on seven metres - took a hot bath in our tub.

Now that it is getting closer to being a tent, one of the biggest concerns (my German expression of choice would be "die größten Bauchschmerzen" - literally "the biggest stomach ache") is how to get it waterproof. Seriously waterproof.

We bought heavy linen fabric in the hopes of it being waterproof due to its nature - some heavy fabric, pure linen, can soak up water and then get so dense and tight that it can be even used as a bucket. Totally waterproof. Unfortunately, it became very clear very soon that our specimen of heavy linen fabric is not like that. Yes, it is heavy, but the fibres will not swell up enough when soaked in water to get it completely impermeable to water, and thus I need some additional waterproofing method.

And that's my problem. I want to have the tent/stall as accurate as possible, but I will draw a line at non-secure waterproofiness. I need my goods (and myself, but the goods for selling are more important here) to stay dry no matter how hard it rains. And I am willing to compromise if this needs some modern trick - though I would prefer a period way.

So there are some possibilities now that I have already found, among them using linseed oil varnish; using oil paint from linseed oil varnish with a pigment/filler mixed in to paint the tent much as an oil-cloth (with the added bonus of decorative possibilities); using store-bought waterproofing liquids; it would even be a possibility to buy silicone at the hardware store and "paint" the cloth with that. I'm still undecided, I would like to test each of the methods but I am shying away a little from buying all of those things for a small test scrap of fabric, and am generally feeling quite uneasy about this part of the project.
And I'd be very happy about any input that you might be able to give.

I'm back from a wonderful and very fruitful weekend of planning for Textile Forum 2010 - and that weekend fully deserves to be titled a perk of the job.

We met with Johanna, the director of ArcheoParc Schnals, to have a good look at the premises, discuss planning details, have a look at the accommodation reserved for the Forum participants (real beds in en-suite rooms this time!), and meet some more people interested in the Forum idea.

So what can you expect? In case you have never been to Schnals in South Tyrol, let me give you the list.

A very nice museum with a unique concept, showing the connection between the alpine region and the lifestyle in this environment, with an intriguing architectural design?


Check.

An open-air area belonging to that same museum, with some outstanding house reconstructions that have no nails and screws in them?


Check.

Typical regional food that is amazingly, mouth-wateringly yummy? Like Schlutzkrapfen, Speckknödel and Vinschgauer Paarl with Brettlspeck, plus a huge variety of cheeses and wines that earn lots of praise? Food so wonderful that of course I was not even thinking of taking a photo, because I was busy with eating and enjoying?

Check.

(To make up for the lack of photos here, you can read this article from the Guardian. Or maybe you would like to prepare yourself for all the food of the region - go to this tourism site that also offers recipes!)


Lots of fun?


Check.

And last but surely not least, more breathtaking, amazing alpine scenery than you would be able to shake a spindle stick at?

Check.


Sounds good, eh?

There is a German proverb that says "Gut Ding will Weile haben", which translates roughly to "a good thing needs its time".

Well, it has taken time enough, the planning for the Textile Forum 2010, and we can finally announce a place and time where the second European Textile Forum will take place. From the 6th to the 12th of September 2010, the ArcheoParc Val Senales will turn into a meeting place for historical textile workers. It will again be possible to share knowledge, experiences and problems with other enthusiasts and finally discuss all things textile (almost) 24 hours a day, without your conversation partner's eyes glazing over due to boredom. There will again be lodging with full board for the participants, keeping everyone fed and thus free to concentrate on the important thing only - talking and doing textile stuff.

We are working on the preliminary programme and will keep you updated - via the blog here, the Textile Forum Website and the Forum Newsletter. Stay tuned for more information on the programme, practical things and the Call for Papers!

An hour or two after I had blogged yesterday, I received an e-mail from the layout lady at the publishing house telling me that the proofs are in the post, on their way to my place. So there's the second round of proofing coming up for today or, at latest, tomorrow.

In other news, the conference proceedings book from NESAT X is out, and date and main topic for NESAT XI have been announced - it will take place in Esslingen in 2011, focus will be methods in textile archaeology, and the poster session especially welcomes experimental archaeology topics. More info and registration form can be found on the official website www.nesat.org.

With the new year now firmly in the saddle, dates for the summer season are slowly lining up on my calendar. And it already becomes clear that 2010 is The Year of Unfortunate Date Collisions, with lots of things falling together - like almost all official holidays with Saturdays or Sundays, and a few of my private fixed date events with work events (and should you wonder: work will win).

There are already a few work dates I am very, very much looking forward to. I am planning to go to Cave Gladium again in 2010 - that will be August 9 to August 14. Since I later heard from some folks that they would have loved to attend a workshop, but didn't hear about it in time, this year I am planning to have the 'shops during the week (to leave the weekend for shopping and all the other weekend stuff) and get it much more public much earlier.
There will be more workshopping and a talk/lecture in Austria, too - I am going to the Spectaculum in Friesach, end of July/start of August. You can read more about the programme here on the official pages. The workshop will teach participants the basics of medieval sewing - differences between fabrics, materials, stitches and seams. Because seam types, stitches and fabric type were purposefully matched for the desired results, this is something like "medieval sewing 101", giving the groundworks for sewing and tailoring medieval style. I love this workshop topic because the lowly hand-seam is underestimated so much today - and lining all the possible stitches, seams and hems up in two sampler cloths - one wool, one linen - shows so much of the possibilities.

And speaking of dates: The book is being layouted at the publishing house, and I am waiting for new work (second proofing) any day. Once the packet is here, I promise I will do my very best to be totally quick in reading, proofing and sending back/responding. Very much fitting the situation and the question that usually pops up at some point - "why does that all take so freakingly long?", INTERN (who does write herself all-caps) has put up a nice blog post summing it up here.

First of all, sorry for the unannounced blog silence yesterday - the 6th of January is a holiday in Germany (and I think in several other countries as well), and I got sucked into that holiday spirit so much that I totally forgot to either tell you on the 5th or holiday-blog on the 6th. (Holiday spirit, in this case, means sleeping a little longer, then working on the still-lots-of-unpacked-stuff-situation, with some cake and some knitting sprinkled in.)

Regarding non-knitting, still-textile news, the homepage of NESAT has been updated - NESAT 11 will take place in 2011 in Esslingen, Germany. There is no more info up yet, though - so it's still suspense time!

In case you do not know NESAT (though if you read this blog, chances are you have heard of it), the name is an acronym for "North European Symposium for Archaeological Textiles". The first conference was very small and took place back in the Eighties, and "North European" has since developed to include most of Europe - not only the North. The conferences take place every three years, in a different place, and include about all the big names and lots of juicy, brand-new archaeological textiles science. The publications are absolutely wonderful, and I have spent delightful hours with each and every one from the series (which is listed here).

Last time was the 10th NESAT conference, and it was the first time that the event was "opened up" and participants not giving a paper were allowed in. Before, it was always just a small circle of people, and there was no public call for papers. I think that taking this conference more public was a brilliant move, and it seems that lots of others thought so too - we were over one hundred conference participants. And I hope that NESAT 11 will be as wonderful, exciting and fun as the last one was (and I'll do my very best to be part of the fun).