If you've been more than marginally interested in the epidemic called "Black Death" that wrought havoc on the population in the Middle Ages, you may have caught that there was a (sometimes quite heated, I gather) dispute about whether it was the Plague as we know it today, or something entirely else, or a mutation of the Plague, or a combination, or whatever. And I confess I was leaning towards "something else", too, just like a lot of other scholars.

But now they did it. You know, those archaeologists and other scientists? These guys that poke around in old stuff, messing around with our nice familiar concepts of history, dragging home old bones and potsherds and lumps of clay and textile and rusty metals? They did it. They found the DNA of the Bringer of Black Death.

And it's Yersinia Pestis.

Their research is published in an open-access peer reviewed journal (oh, we so need more of those), and you can read the whole article for yourself. Good old Yersinia. Wreaking documented havoc on mankind since 541.

I'm blogging late because I got caught up reading an article that I found (again) via medievalists.net - about medieval sexuality and "erotic" images in medieval art.

The article touches on one of the core questions for any interpretation of historical circumstances: How much does our modern view of things influence our interpretation or appreciation? Sexuality and eroticism are one of the topics very much touched by our modern perceptions, and things have gotten looked at from different angles since the rise of feminist and queer perspectives - a good thing in my eyes, since it helps us re-evaluate our interpretation and our own premade (mis-?)conceptions when approaching medieval art.

Oh, and you can find the abstract and link to the pdf article here, at medievalists.net.

It's been a while (I think) since the last links-to-other-pages blog, so it is time for me to do it again, and I hope that you can find something interesting in this list...

Through my blog reading of other blogs, I stumbled across this one: My Textile Notes. It's the blog of an Indian textile engineer, giving a totally fascinating mix of modern industry-related and traditional crafts-oriented information to the reader. I will definitely keep this blog on my list!

Another interesting textile blog is The Textile Blog, a blog with an emphasis on textile design. It's not only medieval (though you can do a tag search for medieval stuff), but I find it nice to have a look at 19th and 20th century design now and then as well.

Just in case you are knitting colourwork and have problems with it and are not yet reading the Yarn Harlot's blog, hop over there for instructions for "Slightly Less Crappy Knitting". I really like this lady's style of putting things, and I especially appreciate her approach to knitting: Do whatever you (feel) like, there is no Knitting Police.

And if you ever wondered about depictions of the Seven Arts in medieval artwork, especially Grammar, you might want to take a look at this article from Marginalia.

Somehow, not tidying up for a few days, then packing, then rushing off for a week, unpacking, ordering some stuff (more spindle sticks!) inbetween and getting some additional stuff and then having a heap of urgent work to do leads to... utter chaos in the workspace.

And somehow this has happened to my desk. Again. So I'm afraid that a good chunk of today's time will go into paying stuff, ordering more stuff (projects being worked on), putting stuff away and sorting through stuff. My bookkeeping wants to be finished, wool samples looked at, old paper thrown away or put into its appropriate folders.

Oh yes, and I have to prepare for tomorrow, since I'll be giving a little presentation about Daily Life in the Middle Ages at the DHB in Erlangen. In case you are nearby and interested, the presentation starts at 15:00 and takes place in the Hauswirtschafts- und Verbraucherzentrum, Hauptstr. 55 (that's in the Altstadtmarkt), and non-members of the DHB pay 3 Euro.

Today is an exception to my normal posting rules, since you are finding mostly German text here - it's the info for the workshops at Cave Gladium. Our idea was to offer a learning space and opportunity at the Cave, since that is a time and place where lots of living history people are already together, so travel costs and extra organisation time for the participants would be really, really low.

Since the info about the workshops seems to have gotten a little lost in the forum pages at the Cave website, I'm posting the description here again. So if you are interested in attending a show fighting workshop, or would like to learn how to dye with plants, or how to forge a knife, or how to weave 3/1 twill on tablets without counting and sticking to a pre-made pattern, or learn a few new loop-braiding patterns, you can This email address is being protected from spambots. You need JavaScript enabled to view it.. At least the forging and textile workshops should also be possible in English, if there should be any language problems.


Schaukampf - aber richtig
Unter diesem Motto freuen wir uns, in diesem Jahr einen Workshop anbieten zu können, der zeigt, dass es nicht einer blutigen Nase und ein paar ausgeschlagener Zähne bedarf, um auf höchstem Niveau einen Zweikampf zum Besten zu geben. Dabei werden alle Aspekte der Sicherheit und Erhaltung der eigenen Gesundheit beachtet, ohne damit der Begeisterung der Mitwirkenden und der Zuschauer Abbruch zu tun.
An drei Tagen werden die Grundlagen des unbewaffneten Kampfes, Fallen und Rollen bis hin zum Schwertkampf vermittelt. Das Ergebnis wird am Ende des Workshops in einer kleinen Choreographie dem Publikum präsentiert.
Voraussetzungen: Es ist durchaus hilfreich, wenn der Teilnehmer bzw. die Teilnehmerin über eine durchschnittliche körperliche Fitness verfügt und schon einmal ein Schwert in der Hand gehalten hat.
Mitzubringen sind: sportliche Kleidung, festes Schuhwerk (Trainingswaffen werden gestellt)
Kursgebühr: 140,- € pro Person
Zeiten: Freitag: 16 bis 20 Uhr
Samstag: 9 bis 12 Uhr
Sonntag: 9 bis 12 Uhr

Brettchenweben mal anders
Keine Lust mehr, einem festgeschriebenen Schnurbindungsmuster zu folgen? Neugierig, was sich mit Brettchenweberei und einem ganz einfachen Aufzug alles anfangen lässt? Im Workshop webt jede/jeder ein Band zum spielerischen Ausprobieren in zwei kontrastierenden Farben. Der Kettaufzug lässt verschiedene Diagonalenmuster und Köperbindung zu, die mit etwas Hintergrundwissen zu den Grundlagen der Köperbindung frei kombiniert werden können.
Voraussetzungen: Der Kurs ist kein Anfängerkurs, sondern richtet sich an Brettchenweberinnen und -weber, die bereits etwas Erfahrung gesammelt haben.
Mitzubringen: Zum Aufziehen der Kette werden helles und dunkles Garn benötigt; empfehlenswert sind nicht zu dünne Webgarne, etwa in Stärke von Sockenwolle. Das helle und das dunkle Garn sollten jeweils auf zwei Knäuel gleicher Größe aufgeteilt werden, weil dies den Aufzug stark vereinfacht. Pro Knäuel werden mindestens 25 m Lauflänge benötigt (reicht für eine zwei Meter lange Kette). Mitzubringen sind außerdem, falls vorhanden, 12 Vierlochbrettchen.
Kursgebühr: 70,- € pro Person (ganztägig)
Material bei Bedarf bitte vorbestellen
Zeiten: Samstag 15.08.2009

Schmieden bei David Schütze
Der Einsteigerkurs ist für Menschen geeignet, die von der historischen Technik der Metallverarbeitung fasziniert sind, sich aber bisher nicht aktiv damit beschäftigt haben. Vorkenntnisse sind nicht erforderlich. Werkzeug- und Materialkunde werden ebenso vermittelt, wie die grundlegenden Techniken des Schmiedens und ein kurzer Einblick in die Geschichte des Handwerks. Die Teilnehmer stellen ein einfaches Messer selbst her.
Voraussetzungen: Einsteigerkurs (keine Vorkenntnisse notwendig)
Fortgeschrittenenkurs (mit Vorkenntnissen)
Mitzubringen sind: --
Kursgebühr: 140,- € pro Person (Einsteiger)
210,- € pro Person (Einsteiger)
incl. Material, Werkzeug und Versicherung
Zeiten: Samstag 15.08.2009

Färben bei Sabine Ringenberg
Pflanzenfarbe ist ein faszinierendes Thema. Wie wird sie auf der Faser haltbar gemacht? Welche Unterschiede gibt es beim Färben von Seide, Wolle oder Leinen? Auf diese Fragen gibt der Einsteigerkurs von Sabine Ringenberg Antwort. Mit selbst gesammelten Pflanzen wird die eigene Wolle oder Seide gefärbt. Dabei werden die gängigsten Beizverfahren ebenso behandelt, wie die Nachbehandlung und weitere Verarbeitung des Färbeguts. Vorkenntnisse sind nicht erforderlich.
Voraussetzungen: Einsteigerkurs
Mitzubringen sind: Eigene Wolle kann gefärbt werden
Kursgebühr: 85,- € pro Person (eintägig)
zzgl. Färbegut
Zeiten: Samstag 15.08.2009, Beginn 09.00 Uhr
Sonntag 16.08.2009, Beginn 09.00 Uhr

Fingerschlaufenflechten
Flechten mit Schlaufen statt mit einzelnen Fäden hat in den letzten Jahren an Bekanntheit gewonnen - ist aber immer noch nicht sehr verbreitet. In dem Kurs werden verschiedene Flechtvarianten, zum alleine oder gemeinsam Flechten, erlernt und geübt.
Voraussetzungen: Einsteigerkurs
Mitzubringen sind: ---
Kursgebühr: 45,- € pro Person (halbtägig)
incl. Material
Zeiten: Sonntag 16.08.2009, Beginn 09.00 Uhr

I'm back from my little trip abroad - I went to Ireland for a little more than a week, going to the Borderlines XIII conference and then having a few days more in Dublin.

The conference was neither as international nor as interdisciplinary as I had hoped, but good fun and very informative, as I now know a gazillion more Middle English than before (gone straight up from "none at all" to "I can understand some simple words"); learnt that the same differences between archaeologists' and literature-ists' papers exist in Germany and in Ireland; found that there is so much still to learn; got the distinct impression that I should really try to read some Chaucer one of these days; discovered that Irish saga background is really different from Middle European background; learnt where the Liffey and the Puddle flowed together in the old town of Dublin; finally understood why my "Celtic-style knotwork" always ended up with one crossing out of pattern and a few more odds and ends. Sadly, I was not really fit as with an appalling bout of bad timing, I caught a head-cold straight before leaving for Ireland and thus felt like I had cotton wadding inside my skull instead of a brain for the first one and a half days.

After the conference, I got to see the book of Kells, the Georgian Town House Museum(Number 29), the National Museum, the Collin's Barracks (second part of the National Museum), Phoenix Park, the Botanical Gardens, and the innards of several bookstores and supermarkets. I ended up with a few photos (though sadly, most of the Irish museums seem to have a strict no-photo policy), a few bars of Cadbury's chocolate, some other odds and ends and a few books, both work and non-work.

Alltogether, I'd say the trip was well worth it (even though Ireland seems exceedingly expensive to me) - the visit to the National Museum alone was so good that in retrospect, I'd have travelled for that. Should you get the chance, go see the wonderful hairnets they have, made of silk thread so thin that you'd think it is one single fine human hair; or the small bit of gold brocade tabletweave from Viking Dublin; or the wonderful bog garments, dating to the 17th century but showing stunning parallels to diverse medieval garments. And I should also add that the museum staff I met were all extremely nice and extremely helpful, and the visit to the museum is free (though the cakes in the museum café are enormously expensive).

It was, in short, a wonderful trip, but I'm thoroughly happy to be back home again now. Not least because I really missed the home-cooked food and the fresh fruit out of our grocery box - somehow, even a freshly-made sandwich just can't keep up with, say, a pie with turkey breast, fresh carrots, onions, sprouts and a cream sauce with fresh parsley. And an apple for dessert.

I'm looking forward to the weekend so much, even if there is housework to be done. The last half of this week somehow dragged its feet instead of rushing by like second halves of weeks usually do for me.

I'm still working on the flyer and on the paper, and don't have time for much else. And after those two, there are already two other things-with-deadline looming overhead. (I'm in need of a writing flash, does anybody have one to spare?) So in case you are looking forward to the next parts of the Kruseler blog post, I'm sorry that I haven't been able to post the follow-up yet. I know what I want to write about, and it will probably be enough for two posts, but I am still lacking the photos needed (and the time and photographer to make them).

It will come up as soon as I can manage, but it will have to wait until both flyer and paper are further along the way. And thank you for your patience.