It is a very, really, utterly amazing thing how much work can go into a single book. There's this project I'm working on? Together with a friend half-way around the globe? We've spent oodles of hours, both, on the computer and chatting over how to fix this or handle that and on ourselves thinking and writing and editing and checking and noting.

And now we are nearing a stage where we can take a first look at what the thing has become. It has certainly changed a whole, huge lot from what it was (both in writing and conceptually) when we started. There's still a good bit of work to do, but things are getting clearer.

That's amazing. And a tiny bit scary - nearing a new stage.

Oh, on today's agenda, by the way (among a few other things): more work on that project. Which I will now be off to...

... again. After several months with very little to no rain, it seems as if nature is trying to catch up, and it has been pouring down now and again - with lots of heat and sometimes really humid air inbetween.

I don't really mind the sound of rain, though, and I'm happy that we do not have to water the lawn or the flowers and tomatoes outside. The cat, however, is not so pleased. She would much prefer staying dry when attending to necessities outside, and it took her a few minutes of sitting and looking into the rain before she decided she prefers to get a little wet from the outside instead of using the (perfectly dry and of course clean) litter tray inside. Cats. At least the birds don't mind the rain too much, so she can still have cat entertainment from the dry inside.

I have actually managed to do some proper writing yesterday for one of the articles I have to do, and I plan on doing some more today, so things are moving on. I feel a definite need for some holidays though - good thing that a summer break is not really far away now!

I have been writing this blog here since December 8, 2008. I am trying hard to post something interesting each day - or at least to post something, preferably interesting. In those three-and-a-half years, I have not had a single guest post. I actually did all the 728 posts myself. If I copy-paste any content into this blog, it's something like a call for papers that gets sent out with the aim of being distributed to interested persons - and I like to help in that.

Which means that to any person taking more than a very, very casual glance at my blog, it should be quite clear that I am not going to do post exchanges or post advertisements. Yes, I will plug my own stuff (hey, it's my blog, after all) and I will praise other things that I am happy about - but not because I was asked to do so, but because I want to. Because I am convinced that there is something in high quality for a fair price. And I have never gotten any compensation for my plugs. (Most of the "you are so going to want this" posts are about free internet resources anyways.)

So. I still get the occasional "oh your blog is sooo coool please visit my site" comment spam (which I delete) and, about as rarely, a mail praising my blog with a standard set phrase and then the offer of either a link exchange or "guest posts" coming from that other site, or some money if I advertise for a product in my texts. Usually, I just ignore them. Sometimes when I feel like it, I will take a look at the site, laugh, and then delete the email. But this morning I received one of the guest post offer mails that didn't only (as usual) make it very obvious the person writing it had not taken a good proper look at my blog (though becoming a "fan" right away)... that person didn't even know the real topic of the post I was offered as a guest post, which did not fit in at all with my own focus.

So I finally took this opportunity of total incredulity on my part (really? you really think I will now believe anything your site hosts is well-researched?) and sent that person an answer mail... raising the offer. With picture of Wil Wheaton collating papers. (If you have never heard about that and get weird offers sometimes too, do click the link. If you haven't heard about it and don't get weird offers... oh, click it anyways. At least I think it's funny.)

Hah. Something I had wanted to do for ages. Who says weird soliciting mails are not good for anything?

If you are a tiny little bit into typography, you will have heard of a font called Comic Sans.


If there's debate about only one font out there, it's surely about this one. Personally, I can't understand why some people hate it so much (and yes, I have used it - it is a font that is easy to read for me in bad lighting, which is the reason why I once chose it for song lyrics to print out).

And it looks as if I'm not alone in not understanding the hate: Project Comic Sans is taking the font to re-write well-known logos and symbols. Do check it out, it is not only funny - it also shows how much fonts are perceived as part of a logo even if you are not aware of it.

As promised yesterday, here are a few things that might be of interest.

First of all, there's a blog out there with (among other things) a collection of 60 pdf files with papers or articles on experimental archaeology. Go visit http://experimentalarchaeology.wordpress.com/papers/ if you are curious now - and enjoy!

And there's more nice stuff on the net. Quite recently, the Historisch Centrum Overijssel has made all the back issues of the Textielhistorische Bijdragen available online.  This is lovely! Even more lovely is that Isis of Medieval Silkwork has made a selection of all the articles of interest for the late medieval and early modern period, with links. And if you don't know her blog yet, this is a good opportunity to check it out as well.


And another article has gone online: Fragmenter av kvinnedrakter fra vikingtiden –Metode for identifikassjon av gamle tekstilfunn. This is a Norwegian article with a short English summary, available via Bergen University as pdf file. The paper is about textiles from three Viking Age graves owned by Bergen Museum. They were analysed and evaluated using reconstructed micro-stratigraphy (reconstructed because the textiles had been separated from the metal objects in the past).

In more personal news, the collection of addresses of people interested in getting my book in English has started out extremely well, and I am very happy about all the feedback I have gotten both in emails and comments here on the blog. Thank you all very much for your support, and please keep spreading the word by email, facebook, twitter, your blog, forums you frequent - I would love to have a truly impressive list when I check back with the publishing house in two weeks.

First of all, to all of you who have signed on to the infoletter, or passed on the information and the link: Thank you! I am really, really happy to get this much response and support on my quest for numbers. A lot of time and effort went into writing the thesis, and it feels enormously good to see that other people are interested in this work, and willing to pay for a book about it.

Also my thanks to you who left comments with suggestions about the publishing procedure and alternatives.

Should you be interested in the German version, this is available through all the usual ways to get hold of a German book - either from a distributor in your country, or from a German shop. You can also order it from my webshop, which is probably attractive if you think about getting some textile tools or supplies at the same time.

Personally, I must admit that the e-book has never gotten me onto its side - I just prefer a bunch of printed and bound paper. I do, however, know how helpful an e-book can be, and I will think about this both for the German and the English version. It is, however, not the first option for the English version.


And regarding the voices who recommend self-publishing or print on demand... thank you for helping me think out of the box. Unfortunately, several reasons speak against using a pod service for this book - and not the least of those are your finances.
A publishing house puts out money for a book to finance an appropriately-sized print run. But they also handle law questions, distribution channels, advertisement, review copies, layouting, proofreading and editing, and thousands of other pesky details. Yes, it would technically be possible to do a pod run and "cut out the publishing house" - but we are talking about a 400-500 page book here, with colour pictures at least for parts of the book. This means it either needs to be all black and white, or it's unaffordable. And while the publishing house also needs to make some money (back) from the book, using its distribution channels and structures also means that a lot of things will be cheaper than if I tried to get it via POD.

There are books perfectly suited to using Lulu or some similar service, but my thesis is not one of them: I did the calculations and all the maths for the German version, and trust me... you do not really want me to go pod with this. It would cost you much more than if I'm going with a publishing house.

As you probably all know, I am working on getting my book, "Kleidung im Mittelalter", published in the English version.

I have found a publishing house that is very interested in the book, but they are unsure whether there would be enough interest in the book, and thus enough buyers, to make it worth their while (and their investment). With the translation costs and costs of print and binding, especially since it includes colour pictures, a book like this is not easy to calculate.

When I was at this stage for the German version, I set up a newsletter list for people interested in the book. This did work very well for everybody, so I am doing it again. If you subscribe using this form, I will keep you informed about any developments on the publishing front, and if there should be any special offers or subscriptions possible, it will make sure you hear of this. On the other hand, your name on the list and your input about pricing will make it easier for the publishing house (and me, of course) to gauge interest in the book.

The German version has 529 pages and more than 400 illustrations, some of them in colour. It features information about sewing techniques, textile techniques, how to critically look at sources for garment research, the development of medieval clothing, a reconstructed technique for tailoring historical garments and - last but of course not least - a catalogue of still extant medieval garments and garment fragments from 500 to 1500.

So if you are waiting for the English version of my book, please subscribe - and please pass on the information about this!

First Name
Last Name
Email
Confirm your email address
For the book, I would be willing to pay up to 70 Euro 90 Euro 120 Euro