Here's some stuff about places you could go at times when there are things that might be vastly interesting:

The CfP of the EXAR conference in Vienna, September 26 to 29 2019, is ending on June 15. You can send your paper proposal via their website.

If you are interested in Tudor clothing, there's a conference with a lot of event stuff around it called "Missing Persons". It will take place in Nottingham on April 3-5, 2020. You can register via the Tudor Tailor site; conference costs are 299 GBP (with an Early Bird registration until June 19 for 275 GBP).

The University of Sheffield will offer Zooarchaeology Short Courses in September 2019: Understanding Zooarchaeology on September 10-12 and Birds in Archaeology on September 13. The courses are directed to students, professionals and enthusiasts, no prior knowledge required, and the courses include hands-on practical activities. For more information, visit the website at the Uni of Sheffield.

The CfP for the European Textile Forum is also open; the Forum will run from November 4-10 in the Laboratory for Experimental Archaeology Lauresham, Lorsch, Germany. Focus topic this year is "Shared Warps, Shared Wefts", but other, non-weaving related papers or presentations are also welcome.

Finally, for those in Germany, I will be offering a two-day tablet weaving workshop on August 31 and September 1, teaching how to do tablet weaving patterns without a written pattern draft. As this is a system and we will start from the very beginning to learn the system, no previous knowledge about tablet weaving is needed. More information and booking possibilities are here via the pallia webshop.

The new spindle whorls have arrived, and they are lovely!

While I make the hand-formed whorls myself, I have a professional potter who throws the whorls for me, after "inspirational pictures" of finds of spindle whorls that I send him. I always order a large batch (as that makes things more efficient), and it is a special pleasure to write there, as he lives close to the place I was born... so I am, in some way, buying "native soil".

This time around, I had done some more research and found that light-coloured whorls seem to also have been rather common. So I did ask for a second, light colour clay for the whorls - and I got a third colour thrown in for good measure.

I also asked for some lighter-weight ones. Fun fact: The current production of wheel-thrown whorls happened to peak in the same weight slots as my last production of hand-formed ones, which is in the 20-22 g slot.

So now I am fully stocked again with whorls! I even have them all weighed and sorted already. When I started selling spindle whorls, I kept them in one large box, and I picked out one when somebody ordered. But since some orders are for a specific weight, I've found that it is much easier for me to weigh them all once and keep them into some kind of sorting box, organised into 2 g slots. That way, if someone asks for a 21 g whorl, I only have to look at the 20-22 g whorls to find the right one (and yes, I will put them onto the scales again and see if I can't find one that is somewhere between 20.7 and 21.3 g... just because I can).

If you feel like you need one, the shop is updated, and I'm all happy to sell these new colours and new old shapes!

I've finished Vodka Lemonade a while ago, and I'm finally getting around to blogging it.

It took me about half a year to knit this. Yes, I am a slow knitter - not when I am actually knitting, that is actually, I think, about medium speed. Most of my knitting slowness comes from having other things taking higher priority, and thus letting the current project(s) lie in some corner for a while. Which can be a significant while.

By now, though, it is finally finished, blocked, all ends woven in and snipped off, and I have already worn it a few times.

The yarn - "Understatement" from Zitron, dyed in the colourway "Honigtopf" (honeypot) by Margit from Alte Künste, really is lovely to wear. It has a silky smooth feel, a nice shine, it warms when it is cool outside but feels rather cool when it is warm.

Regarding the pattern, I'm mostly happy. Even though I took great care to make the sleeves exactly the same length, one sometimes feels like it's longer than the other. The cardi also tends to slip off one of my shoulders when I wear it. Both these things may be due to how I move or stand - I tend to sort of twist my upper body sometimes, and that skews all my clothing, so this is nothing completely surprising, though it can still be annoying. Unrelated to this, though, it drapes in a way that makes the front look longer than the back - which, to me, does not seem optimal, but I can live with it.

I'm thinking about adding some way to wear it closed; I might do so if I can figure out something unobtrusive, to have that option for when it’s cooler (or to have less slipping off the shoulder, maybe). I have thought about adding a zipper, but I'd need to find one in a matching colour. Or maybe some unobtrusive press buttons? Some kind of hook-and-eye closure? I will think about it. Fortunately, there's no rush!

A while ago, I marked out two weekends for giving workshops... and then it took me a while to decide on what topics to offer. In the end, I had decided on making one of the weekends a two-day tablet-weaving workshop. And that's where it got complicated.

For table-weaving, you need to tension your warp. Obvious, right? Well, for several people to have a nice setup where they can work with a nicely tensioned warp in appropriate length at an appropriate height, this very quickly means you need a system for the setup. Especially as every warp should be accessible without crawling on the floor to pass under other people's warps, or hopping over them (which would be an admirable feat, by the way). After all, the weavers might want to get up and stretch once in a while, or have something to drink, or go to the toilet, or whatever.

(Fun fact: I might actually do a bit of crawling underneath things in such a workshop, even though it would not be necessary - but it would mean a longer way to walk. So.)

In consequence, this means I need a room that is large enough to accommodate my setup of several tables and chairs, which will then accommodate up to a dozen weavers. And finding a room that is close enough to my home base, affordable, and available on the weekend in question - well, that has turned out to be a challenge greater than expected.

But finally, I have found a room for the tablet-weaving course. So there will be a weaving weekend in Erlangen on August 31 and September 1, teaching a deep understanding of tablet-weaving and a system that will allow you to freestyle patterns. No pattern draft necessary. (If you're interested, there is an Early Bird discount of 25 € with the code DerFrueheVogel - valid until May 31.)

With that course and weekend all settled, the two others were easier: I will be offering a filet netting workshop on June 22, and a "freestyle workshop" on June 23. The freestyle workshop is 3 to 4 people, we will chat beforehand on what you are interested in, and then everyone gets to work on their own project or issues - and can sneak peeks into the other participants' projects as well.

So if you're interested... check out the workshop links, and maybe I'll see you in a month or three!

After showing you the dead whorls yesterday, it's probably time to also show you the survivors - so here's part of the yield, hanging out in a basket and feeling decorative:

By now, the whorls have all been weighed and are sorted in boxes - they range from below 8 g to almost 70 g in weight. The heavy ones are modeled after prehistoric whorl finds - and yes, it is astonishingly hard to match a given size and shape, as you can see here:

I find it really hard to make some shapes, among them the longish ones and the ones with a sort of T-profile. Roundish or double-conical is much easier for me, and I'm wondering if someone else would have a different experience, or if there's some special technique to making these other shapes easily. You can see in the picture that I didn't really match the original shape of whorl no. 14 - even though I tried really hard!

In some cases, with some shapes, I am quite happy with how close I got, though. Like with this one:

As a final note, it might amuse you that I managed to get only a few whorls within the weight range I was mostly aiming for - while I happened to (again) hit spot-on a few other ranges with a lot of whorls. If this continues, I might have to make a sale for these weight ranges!

The spindle whorl firing is done - so now I have plenty of hand-formed spindle whorls again. This time around, there are some decorated ones, and quite a few of these are formed after actual examples from prehistoric finds. Though, of course, I cannot guarantee that their shapes and weights are close to the originals - especially their weight will probably be quite different even if the size and shape matches, as different materials and different amounts of water and temper make a huge difference in the density - and thus the weight at similar size.

This is one of the many reasons why making whorls and pit-firing them never gets un-exciting. It may be boring (forming whorl after whorl after whorl can be really mind-numbing), but there is always a good amount of insecurity left. Especially regarding firing.

Will they all get enough heat? How many of them will be completely black, or completely light? And most importantly:
How many of them will come out undamaged?

As the pit-firing procedure is only sort of controlled, some whorls in the batch usually come out more or less of damaged. The most common cause is probably a small air bubble that has gotten trapped inside, followed by adverse conditions when heating up, such as getting too much heat too quickly, or too much heat only on part of the piece. Or the clay being still a little bit too moist - even though I try to make sure that the whorls have enough time to really dry out.

Obviously, all these things are more probable on the really large whorls - and this batch, one of the big ones did die a spectacular death, giving out two very loud bangs right after I started the firing. It was accompanied in its venture to explode by two smaller ones... so a total loss of three whorls for the firing batch.

While this is, obviously, a total loss, there are always some whorls that only lose a little chip off their surface. They are otherwise still okay, and they can work just like undamaged ones - but of course they are not making their way into my for-sale stash of whorls.

I call these whorls "Salamander Snacks" because, as every reader of medieval bestiaries knows, the salamander can live in the fire unharmed. So obviously, the reason for how these whorls look is that a salamander living in the fire got a little peckish and took a nibble (or in some cases, a bite) out of a whorl.

While last time around, I had quite a few salamander snacks in the batch, this time it was only a single one - but the salamander has been quite hungry, it seems, as it took a large-ish bite:

I hope it enjoyed its snack!

I'm on the hunt - on the hunt for suitable rooms for giving workshops, for all those lovely topics where my home is not large enough - such as tablet-weaving with more than two people.
Since tablet-weaving workshops have been requested again and again, and I'm also really psyched about giving them (as teaching tablet-weaving is utter fun, for me), I need a room for that... with enough good light and enough space to place tables and chairs for a convenient setup, and preferably not too far away from home.
By chance I discovered that Erlangen's urban administration actually offers a "room search", where you can search for rooms for all kinds of events and all kinds of group sizes. That actually helped me a lot to discover the possibilities - and now I'm waiting for answers.
If I can find a room, there will be a tablet-weaving workshop on the weekend August 31/September 1, similar to the one I gave in Belgium in January: Understanding how tablet-weaving works, so you can weave patterns without needing a pattern draft. Which, if you ask me, is the coolest and most exciting (and fun!) way to do tablet-weaving!