It looks like it's the time of year for announcements of textile events again! First of all, one for a conference in the UK in June: 

And then, also in the UK, the Early Textiles Study Group offers a practical course. Here's the description, and if you are interested, go to  https://www.earlytextilesstudygroup.org/etsg-courses.html for more!

Today was Warping Day. Well, Warping Afternoon - fortunately, the relatively small warps of limited length that we use in the weaving workshop are quite quick to make. So now I have this, waiting to be packed up: 

On the left there's a few "oh no bad things happened" warps, prepared in case something bad happens and we need a quick new one. On the right... that's a stack of edge tablets, waiting to be installed at some point. 

Edge tablets - usually all threads in one colour, and two or more of those monochrome tablets per edge - are an absolute fixture in historical bands. They make for neat edges, and if you weave patterns with my system, they are one way to tell which tablets turn in which direction. 

However... adding edge tablets also makes warping a little more time-consuming, and it means one more thing to keep track of. That's why I did my workshops without edge tablets in the past. (Remember what I wrote about things evolving? That's one of them.) I've thought about a few different options on how to include them without making things too weird at the beginning, and I think I have found the solution and the hopefully impeccable timing for adding edge tablets: The point where they are actually helpful, and where the basic understanding stuff that does not require extra "empty brainless twisting" has already happened.

Next Monday I will know more. Now there's a tad more preparation to do, but the main stuff has all happened. 

Oh, and due to the Bahn going on strike on Thursday and Friday... I will have to figure out whether I can go by train (probably not) or will have to take the car after all. Sigh.

I'm already looking forward to the next weekend - a group has booked me for a tablet weaving workshop, so we will spend the weekend twisting tablets and brains, and making straight and diagonal lines, and understanding where to look and why things work just as they work. 

So I'm now preparing for the workshop, which includes prepping the tablets:

The workshop starts with warping tablets, and then we weave our way into understanding how patterns happen, and how to make them look just like you want them to look. It's the system I've developed that can be taken further into weaving 3/1 broken twill without a written pattern (though we won't go that far during this weekend). 

All the tablets we'll need are now ready for warping, with all the punched holes empty and waiting to be threaded. I have a list of some more things to prep, and a few printouts to make, and some warping for the edge tablets.

Like all workshops, my tablet weaving workshop evolves over time - sometimes there's a chance discovery of something that works very well, or there's a "snag spot" where participants seem to struggle regularly, so these things get updated in my master script after a workshop, and are done a little differently next time. I really like to see how these things change and evolve and grow over time. And then there's the additional changes made to adapt the workshop to the group's wishes, so while the workshops are somehow the same, they also feel quite different every time... and part of the fun and joy in giving these is discovering their own specific vibe. (Plus, of course, the joy of seeing those little aha!-moments when something suddenly clicks.)

It seems to be the season for CfPs - so here's some more:

The European Association of Archaeologists have extended their Call for the 30th Annual Meeting in Rome, Italy. The conference will run August 28-31, and the new deadline is February 12.  You can find out more about the conference and also the submission portal via their website.

There will surely be quite a few textile sessions there again, and one of them is Session #733, Interdisciplinary Approaches to the Archaeology of Roman Textiles. 

Happy New Year, dear readers of this blog - I hope you had a good end of the last one and a glorious start into this year! Mine was partly spent with a rather obnoxious cold, so there was a bit more sneezing and a lot more sleeping than I had planned for.

Of couse I'm well again in time to get back to work... timing, right? But it's nice and interesting work that I'm getting back to, so that is definitely on the pro side. (Well, mostly nice and interesting - I just remembered there's tax paperwork to file in the next few weeks, too...)

There's also planning for some conferences and events in the current year. I will be at the Nadelwelt again in May, and then there's the NESAT conference in May as well. The museum in Syke plans a Bronze Age weekend event in August, where I will show things... but the next thing coming up is the Knitting History Forum conference on February 3. 

I will talk about spinning, twist, and its influence on knitting at that event, and some bits for that paper are still in the works. So here's a sneak peek for you:

These are knit from the same wool, spun once in z and once in s, with two threads held together (not plied). I've done this before, the not-plied-thing, with rather... interesting results once it got washed. This time, I'm also going to see about the differences in spin direction, including the visual ones. Next up will be the same knitting, but with plied yarns instead of yarns held parallel.

(I was hoping for the two bits to turn out the same size, but alas, the threads of one were a bit thinner than the others, or else I messed up the tension. Ah well.)

If you're interested in the outcome, consider joining the conference! It's online only, so you can attend from wherever you are. More about it, including the programme and the link to get tickets, can be found on the conference website. 

NESAT will be taking place again next year - and I'm so very much looking forward to it already! It's always a wonderful opportunity to go somewhere and meet up with old and new colleagues. If you're not familiar with this conference, NESAT stands for "North European Symposium for Archaeological Textiles" and was started to make textile archeologists feel less lonely once in a while.

This means every three years - last one was the virtual conference (due to Covid) in Oulu, Finland, but now we're looking to meet up in person in Poland for the next one. To my great delight, the paper about membrane gold threads that Tracy and I have proposed was accepted, so we'll be able to talk about our project there in May!

In case you're interested, you can learn more about the upcoming conference, and the past ones, on their webpage. Registration is also open now until end of February.

The dyeing instructions and experiment protocol have been successfully tested:

The results? Two beautifully dyed objects, one set of instructions with notes and corrections, and I've already managed to do the fixing-up and the instructions are sent out. 

(The result this time turned out to be a rather orangey colour, by the way. That might be due to the pre-treatment, or a different batch of madder, or the different alum, or the water, or whatever. Madder. Might drive one madder and madder...)

Now it's time for me to wait and see what will happen. I'm already looking forward to getting the first of the samples and be able to compare them to the original reference. And, well, I guess I could also think about when to start my own homework...